Hindi
Jism 2 available on BIGFLIX.com from 16 August
MUMBAI: BIGFLIX.com has announced that its latest offering Jism 2, will be available to viewers from 16 August.
Jism 2, the film which hit theatres in India on 3 August, is positioned as the film to have boldly broken through India‘s stodgy old Victorian morals. Directed by Pooja Bhatt, the espionage thriller involves assassination, sex, intrigue and the surprise element of double jeopardy. The film, that stars Randeep Hooda, Arunoday Singh, marks the debut of Sunny Leone in Bollywood.
Said Reliance Entertainment Digital CEO Manish Agarwal, “At BIGFLIX, we are always working towards getting the audience exclusive content right from latest releases to timeless classics across different Indian languages. Through our tie up with Vishesh Films, we are happy to take Jism2 globally and will continue to offer world-class movie watching experience digitally on BIGFLIX.”
In fact, Mahesh Bhatt compared his film to Italian romance drama Last Tango in Paris. Averred Bhatt, “The film has done well and it is our endeavor to reach the film to a larger populace. Platforms like BIGFLIX are ideal today to reach the young, net savvy generation across the globe. BIGFLIX as a service offers several comforts which makes movie viewing a theatre like experience. We are glad to be associated with BIGFLIX via Jism 2.”
BIGFLIX will offer Jism 2 across tablets and smartphones.
Besides convenience, latest releases like Jism 2 with a nominal subscription fee of $4.99 per month, BIGFLIX offers an exhaustive library of more than 1000 films spanning across all Indian languages (Hindi, Tamil, Telugu, Malayalam, etc) and genres.
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
