GECs
Jaane Anjaane Hum Mile: Inside the twists and turns of Zee TV’s new fiction drama
Mumbai: In an era of rapidly evolving entertainment, Zee TV’s latest offering, Jaane Anjaane Hum Mile, is set to make waves with its intriguing storyline, nuanced characters, and an emotional core centered around family. Set to premiere with a star-studded launch, the show features Ayushi Khurana, Bharat Ahlawat, and Jayati Bhatia, promising audiences a unique journey through love, loyalty, and sibling bonds. At the heart of this venture are producers Goldie Behl and Sonnal A. Kakar of Rose Audio Visuals Pvt. Ltd., who bring their combined strengths to create a refreshing new take on the Indian family drama.
The launch event, held at the Westin Mumbai Garden, buzzed with excitement as Behl and Kakar shared heartfelt reflections on their creative journey. Both expressed gratitude to Zee TV and shared insights into the unique storyline of Jaane Anjaane Hum Mile, which delves into the complexities of the ‘Aata Saata’ tradition—a cultural practice involving the reciprocal marriage of siblings, adding depth and layers to the narrative.
Kakar expressed, “I would really like to thank Zee TV for their trust and faith in us for this show and special thanks to the entire Zee TV team. My journey began with Zee TV back in 2006 as a media professional, so it feels only right that my first show as a writer-producer is on this platform. The concept of Jaane Anjaane Hum Mile revolves around the ‘Aata Saata’ tradition, an exchange marriage involving siblings, where the second girl is often seen as a guarantee. This dynamic brings two strong-willed characters together: Reet Chaudhary, an investigative reporter from Gwalior, and Raghav Suryavanshi. The story explores whether a transactional marriage can bloom into true love.”
Behl expressed, ” I would like to take this opportunity to thank Sonnal for this lovely concept she came up with, and, of course, Zee TV. I started my career on television with Zee and have had a very long association with them. Returning to daily shows after a long time, and with Zee again, feels amazing! We’re incredibly excited and motivated to give you a fantastic show.”
We sat down with Goldie Behl at the glitzy launch event at the Westin Mumbai Garden for an exclusive look behind the scenes, exploring the inspiration, vision, and journey that have brought Jaane Anjaane Hum Mile to life.
With Goldie Behl, producer of Jaane Anjaane Hum Mile
What inspired the concept of Jaane Anjaane Hum Mile? Can you tell us a bit about the story and what makes it unique from other shows currently airing?
The major inspiration actually came from Sonnal Kakar, who envisioned the show. She brought this idea to the table, and I was more involved in handling the business aspects this time. It’s an exciting story—full of unexpected twists—that sets it apart from typical love stories on TV.
How did you go about choosing Ayushi Khurana, Bharat Ahlawat, and Jayati Bhatia for the lead roles? What qualities in them convinced you they were perfect for these characters?
The selection process was straightforward; it was our usual process of auditioning. The actors fit the roles well, and we could see they had the chemistry and talent required for the story.
Could you share any behind-the-scenes moments or challenges faced while producing this show?
Honestly, there weren’t any major challenges this time. Everything went smoothly, which is a testament to the team’s hard work and planning.
How do you envision the show connecting with audiences? What aspects of the storyline do you think will resonate most?
It’s not just another love story—this show has many twists and turns. We’ve focused on keeping the audience engaged by adding layers of suspense and complexity to the characters. That’s what we believe will make it stand out.
How was your experience working with co-producer Sonnal A. Kakar on this project? What unique strengths did each of you bring to the production?
Usually, I’m more of a “lone ranger.” But this time, working with Sonnal was great. We each brought our expertise to the table, and everything went smoothly. It was a collaborative effort that brought out the best in both of us.
What are your hopes for Jaane Anjaane Hum Mile and its place within the Zee TV lineup? Are there any particular milestones you’re looking forward to achieving with this show?
Honestly, my main goal is for it to be the number one show on Zee TV and any other platform where it airs. That’s the milestone we’re all aiming for.
With constantly evolving viewer preferences, how do you plan to keep the audience engaged over the course of the show?
Like I mentioned, this isn’t just another love story. There’s a lot of suspense and twists that will keep viewers hooked. In most stories, you’d expect a typical romance that ends in marriage, but here, it’s almost the opposite. We’re flipping the script to keep things fresh.
What do you personally find most rewarding about producing shows like Jaane Anjaane Hum Mile? Is there any specific message or takeaway you hope viewers will gain?
The message really centers around siblings and the love they share. It’s about how far you’d go for the sake of your sibling. That’s a theme I think will resonate with a lot of people—it’s heartfelt and grounded in reality.
Jaane Anjaane Hum Mile promises to be more than just another television drama, with a storyline rich in surprises, sibling love, and intricate character dynamics. Behl’s vision, combined with the creative spark brought in by Sonnal A. Kakar, suggests that Zee TV audiences have much to look forward to in this new show.
GECs
Sahara One reports financial results, notes director exit and business realignment
Muted revenues, steady expenses and strategic adjustments shape company’s current phase
MUMBAI: In a tale where the sands seem to be slipping faster than they can be gathered, Sahara One Media and Entertainment Limited has reported another quarter of wafer-thin income and widening losses, even as a boardroom exit adds to the unease.
The company informed the Bombay Stock Exchange that its board, in a meeting held on April 4, approved its unaudited financial results for the quarter ended September 30, 2025. The numbers paint a stark picture. Total income for the quarter stood at just Rs 0.13 lakh, unchanged sequentially and sharply down from Rs 0.26 lakh a year earlier.
Losses, meanwhile, deepened. The company posted a net loss of Rs 24.16 lakh for the quarter, compared to Rs 18.81 lakh in the June quarter and Rs 39.69 lakh in the same period last year. For the six months ended September 2025, the cumulative loss stood at Rs 39.69 lakh, while the full-year loss for FY25 was reported at Rs 60.72 lakh.
Expenses continued to outweigh income by a wide margin. Total expenses for the quarter came in at Rs 24.30 lakh, led by employee benefit costs of Rs 6.51 lakh and other expenses of Rs 17.78 lakh. Earnings per share remained in the red at Rs (0.11) for the quarter.
The balance sheet reflects a company with significant assets on paper but limited operational momentum. Total assets stood at Rs 23,065.57 lakh as of September 30, 2025, broadly unchanged from March 2025. Equity share capital remained steady at Rs 2,152.50 lakh, while total equity was reported at Rs 18,004.85 lakh.
Cash and cash equivalents saw a modest uptick to Rs 6.75 lakh from Rs 4.68 lakh earlier, supported by a positive operating cash flow of Rs 180.01 lakh for the period.
Yet, beneath these numbers lies a more complex narrative. The company’s auditors flagged their inability to obtain sufficient evidence to form a conclusion on the financial statements, citing lack of access to records. They also raised concerns over the company’s ability to continue as a going concern, pointing to insufficient funds, delayed recoveries, and stalled content investments.
Adding to the governance overhang, the company disclosed that Rana Zia has resigned as whole-time director, effective October 16, 2025, citing other professional commitments. The resignation, noted and accepted by the board, also brings an end to her role across company committees.
Regulatory pressures continue to loom large. The Securities and Exchange Board of India has already initiated penal actions for non-compliance with listing norms, with trading in the company’s shares remaining suspended. There is also a risk of promoter demat accounts being frozen.
Legacy legal issues remain unresolved. A substantial deposit of Rs 694,027.88 thousand linked to the long-running OFCD dispute involving Sahara group entities is still under the purview of the Supreme Court of India. Restrictions on asset disposal continue to weigh on the company’s financial flexibility.
Operationally, challenges persist across multiple fronts. Advances worth Rs 1,92,916 thousand given for film content remain stuck, with delays in project completion and uncertain recoverability. The company’s YouTube channel, despite being operational, has generated no revenue for over three years due to compliance lapses. In a further twist, management has indicated that revenues may have been fraudulently diverted through unauthorised changes to its AdSense account, with a police complaint in the works.
There are also missed revenue opportunities. Television content rights continue to be used by a related party despite the expiry of the licence agreement, with fresh negotiations still underway.
For now, Sahara One Media and Entertainment Limited appears caught between legacy disputes and present-day operational hurdles. As losses linger and governance questions mount, the road to recovery looks less like a sprint and more like a slow trudge through shifting sands.
