Hindi
Ishkq In Paris: Just another love story!
MUMBAI: Inspired by 1995 Hollywood film, Before Sunrise, Ishkq In Paris is an attempt to revive the career of the film’s leading lady as well as the producer, Preity Zinta. The theme is familiar, about two strangers meeting up while travelling, spending some time together and falling in love. The idea in itself was not bad, really. It could have been made into a cute romantic movie had it been made with a fresh face instead of Zinta herself.
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Producers: Preity Zinta, Neelu Zinta. |
Zinta, named Ishkq in the film, is on her way back home to Paris from Rome where she had gone to spend a weekend. She is the daughter of Isabelle Adjani, a famous artiste, a single mother having parted from her husband, Shekhar Kapur, when Zinta was only seven. Sitting across from Zinta on the train is Rhehan Malliek, an Indian settled in London. He is on the train because he missed his morning flight to London, hence onto Paris to take a morning train to London!
Since childhood Ishkq has been taught Hindi to near perfection and the duo get talking. Since Zinta is a local and Malliek has a night to while away, he suggests she spends the night with him and show him around town and generally have fun together. Obviously, Malliek also has sex in mind so, thoughtfully, also packs a condom with his loose change. On the way, a street vendor, Chunkey Pandey, sells them a dice, you toss it and it decides your next programme; it has drinks, dinner, dance, sex etc written on its sides. Zinta is game for drinks, dinner, dance but not sex. She is more traditional than Malliek. This revelry which continues till interval was evident in a recent film, London Paris, New York. Wanting you to come back after the interval, a slide before the interval promises you a story in the second half; in a 97 minute film, at least now a story needed to be incorporated since Malliek is coming back to Paris for work as well as with hopes of catching up with Zinta.
The gist of the story is this, that Zinta hates marriages because she hates divorces because her father deserted her and Adjani early in life. Malliek also hates marriage because of similar reason. And, subconsciously, they both have fallen in love but spend rest of the time in denial till this become the story of an aged Adjani and the aging Zinta where Adjani confides that her father, Kapur, had not deserted them but since he and Adjani were both passionate about their work, they had decided to part amicably. Before Adjani even finishes explaining the real thing, Zinta is on the run, halfway through to catching Malliek before he leaves her for good. Come to think of it, the first half without a story was less complicated!
What the film has to offer is scenic Paris and some witty exchanges between Zinta and Malliek. As for performances, since the casting is not convincing, acting does not matter. Music needed to be much better. However, Kudiye di kurti…, performed by Salman Khan and Teri choodiyan…have sectional audio appeal. Direction is passable. Photography is eye pleasing.
Ishkq In Paris faces poor prospects.
In a music industry that often rewards speed, spectacle, and instant recall, Navjot Ahuja’s journey feels refreshingly different. His story is not built on noise. It is built on patience, discipline, emotional honesty, and a quiet commitment to becoming better with every passing year. After 14 years of struggle, learning, performing, and writing, Navjot stands today as an artist whose success has not changed his centre. If anything, it has only made his purpose clearer.
For Navjot, music has never been about chasing fame alone. It has always been about expression. It is about writing more truthfully, singing more skillfully, understanding himself more deeply, and becoming a kinder human being in the process. That rare clarity is what gives his journey its beauty.
Where It All Began: A Writer Before a Singer
Indian singer and songwriter Navjot Ahuja’s musical journey began in the most familiar of places: school assemblies. But even then, what was growing inside him was not only the desire to sing. It was the need to write.
Long before he saw himself as a performer, he had already discovered the emotional release that writing offered him. For Navjot, words became the first true channel for feeling. Songwriting came before singing because writing was the only way he could let emotions flow through him fully. That inner pull shaped his artistic identity early on.
Like many young musicians, he sharpened his craft by creating renditions of popular songs.
Those experiments became his training ground. But the turning point came in 2012, when he wrote his first original song. That moment did not just mark the beginning of songwriting. It marked the beginning of self-definition.
A Calling He Did Not Chase, But Accepted
What makes the latest Indian singer-songwriter Navjot’s story especially compelling is the way he describes his relationship with music. He does not frame it as a career he aggressively pursued. In his own understanding, music was not something he chose. It was something that chose him.
There was a time when he imagined a very different future for himself. He wanted to become a successful engineer, like many young people shaped by ambition and conventional expectations. But life had a different script waiting for him. During his college years, around 2021, music entered his life professionally and began taking a firmer shape.
That shift was not driven by image-building or industry ambition. It came from acceptance. Navjot embraced the fact that music had claimed him in a way no other path could. That sense of surrender continues to define the artist he is today.
An Artist Guided by Instinct, Not Influence
Unlike many singers who speak openly about idols, icons, and musical role models, Navjot’s creative world is built differently. He does not believe his music comes from imitation or inherited influence. He listens inward.
He has never considered himself shaped by ideals in the traditional sense. In fact, he admits that he does not particularly enjoy listening to songs, especially his own. His decisions as a songwriter and singer come from instinct. He writes what feels right. He trusts what his inner voice tells him. He positions his music according to what he honestly believes in, not what trends demand.
That creative independence gives his work a distinct emotional sincerity. His songs do not feel calculated. They feel alive.
The Long Years of Invisible Struggle
Every artist carries a chapter of struggle, and Navjot’s was long, demanding, and deeply formative. One of the biggest challenges he faced was building continuity as the best new indian singer songwriter in an era where musical collaboration is increasingly fluid.
For emerging singers, especially those trying to build with a band, consistency can be difficult. Instrumentalists today have more opportunities than ever to freelance and perform with multiple artists. While that growth is positive and well deserved, it can make things harder for singers who are still trying to establish a steady team and sound around their work.
For Navjot, one of the most difficult phases came during 2021 and 2022, when he was doing club shows almost every day. It was a period of relentless performance, but not always personal fulfillment. He was largely singing covers because clubs were not open to original songs that audiences did not yet know.
For a new Indian singer and songwriter, that can be a painful compromise. To perform constantly and still not have the freedom to share your own voice requires not just resilience, but restraint.
“Khat” and the Grace of Staying Unchanged
After 14 years of effort, Navjot’s new love song Khat became a defining milestone. Professionally, he acknowledges that the song changed how society viewed him as a musician. It strengthened his place in the public eye and altered his standing in meaningful ways.
Yet personally, he remains unchanged.
That is perhaps the most striking part of his story. Navjot says his routine is still the same. His calm is still the same. His writing process is still the same. He does not want success or failure to interfere with the purity of his art. For him, emotional detachment from public outcomes is essential because the moment an artist becomes too attached to validation, the writing begins to shift.
His joy comes not from numbers, but from the attempt. If he has tried to improve his skill today, if he has written his heart out more honestly than before, then he is at peace.
Growth, Not Glory, Remains the Real Goal
Even now, Navjot is not consumed by labels such as singles artist, performer, or digital success story. His focus remains deeply personal. He wants to sing better. He wants to play instruments better. He wants to understand himself more. And he wants to become a kinder person.
That is what makes Navjot Ahuja’s journey so moving. It is not simply the story of a musician finding recognition. It is the story of an artist who continues to grow inward, even as the world begins to look outward at him. In an age obsessed with applause, Navjot reminds us that the most meaningful success often begins in silence, honesty, and the courage to remain true to oneself.
