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India’s ‘Court’ to compete with films from 80 countries at Oscars

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MUMBAI: India’s official entry to the Oscars – Court – will be competing with films from 80 countries in the Foreign Language Film category for the 88th Academy Awards.

 

The Oscars have this year received film entries from 81 countries in this category including Paraguay, which is a first-time entrant.

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The Marathi language film Court is directed by Chaitanya Tamhane. Giving Court tough competition will also be renowned director Majid Majidi’s Iranian film Muhammad: The Messenger of God, which is Iran’s official entry to the Oscars this year.

 

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On the other hand, Paraguay’s maiden film entry for the Oscars is titled Cloudy Times, directed by Arami Ullón.

 

The 2015 submissions for the Foreign Language Film category are:

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Afghanistan: Utopia directed by Hassan Nazer

Albania: Bota directed by Iris Elezi, Thomas Logoreci

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Algeria: Twilight of Shadows directed by Mohamed Lakhdar Hamina

Argentina: The Clan directed by Pablo Trapero

Australia: Arrows of the Thunder Dragon directed by Greg Sneddon

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Austria: Goodnight Mommy directed by Veronika Franz, Severin Fiala

Bangladesh: Jalal’s Story directed by Abu Shahed Emon

Belgium: The Brand New Testament directed by Jaco Van Dormael

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Bosnia and Herzegovina: Our Everyday Story directed by Ines Tanovic

Brazil: The Second Mother directed by Anna Muylaert

Bulgaria: The Judgment directed by Stephan Komandarev

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Cambodia: The Last Reel directed by Sotho Kulikar

Canada: Félix and Meira directed by Maxime Giroux

Chile: The Club directed by Pablo Larraín

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China: Go Away Mr. Tumor directed by Han Yan

Colombia: Embrace of the Serpent directed by Ciro Guerra

Costa Rica: Imprisoned directed by Esteban Ramírez

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Croatia: The High Sun directed by Dalibor Matanic

Czech Republic: Home Care directed by Slavek Horak

Denmark: A War directed by Tobias Lindholm

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Dominican Republic: Sand Dollars directed by Laura Amelia Guzman, Israel Cardenas

Estonia: 1944 directed by Elmo Nüganen

Ethiopia: Lamb directed by Yared Zeleke

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Finland: The Fencer directed by Klaus Haro

France: Mustang directed by Deniz Gamze Erguven

Georgia: Moira directed by Levan Tutberidze

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Germany: Labyrinth of Lies directed by Giulio Ricciarelli

Greece: Xenia directed by Panos H. Koutras

Guatemala: Ixcanul directed by Jayro Bustamante

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Hong Kong: To the Fore directed by Dante Lam

Hungary: Son of Saul directed by Laszlo Nemes

Iceland: Rams directed by Grímur Hákonarson

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India: Court directed by Chaitanya Tamhane

Iran: Muhammad: The Messenger of God directed by Majid Majidi

Iraq: Memories on Stone directed by Shawkat Amin Korki

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Ireland: Viva directed by Paddy Breathnach

Israel: Baba Joon directed by Yuval Delshad

Italy: Don’t Be Bad directed by Claudio Caligari

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Ivory Coast: Run directed by Philippe Lacote

Japan: 100 Yen Love directed by Masaharu Take

Jordan: Theeb directed by Naji Abu Nowar

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Kazakhstan: Stranger directed by Yermek Tursunov

Kosovo: Babai directed by Visar Morina

Kyrgyzstan: Heavenly Nomadic directed by Mirlan Abdykalykov

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Latvia: Modris directed by Juris Kursietis

Lebanon: Void directed by Naji Bechara, Jad Beyrouthy, Zeina Makki, Tarek Korkomaz, Christelle

Ighniades: Maria Abdel Karim directed by Salim Haber

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Lithuania: The Summer of Sangaile directed by Alante Kavaite

Luxembourg: Baby (A)lone directed by Donato Rotunno

Macedonia: Honey Night directed by Ivo Trajkov

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Malaysia: Men Who Save the World directed by Liew Seng Tat

Mexico: 600 Miles directed by Gabriel Ripstein

Montenegro: You Carry Me directed by Ivona Juka

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Morocco: Aida directed by Driss Mrini

Nepal: Talakjung vs Tulke directed by Basnet Nischal

Netherlands: The Paradise Suite directed by Joost van Ginkel

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Norway: The Wave directed by Roar Uthaug

Pakistan: Moor directed by Jami

Palestine: The Wanted 18 directed by Amer Shomali, Paul Cowan

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Paraguay: Cloudy Times directed by Arami Ullón

Peru: NN directed by Hector Galvez

Philippines: Heneral Luna directed by Jerrold Tarog

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Poland: 11 Minutes directed by Jerzy Skolimowski

Portugal: Arabian Nights – Volume 2, The Desolate One directed by Miguel Gomes

Romania: Aferim! directed by Radu Jude

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Russia: Sunstroke directed by Nikita Mikhalkov

Serbia: Enclave directed by Goran Radovanovic

Singapore: 7 Letters directed by Royston Tan, Kelvin Tong, Eric Khoo, Jack Neo, Tan Pin Pin, Boo Junfeng, K. Rajagopal

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Slovakia: Goat directed by Ivan Ostrochovsky

Slovenia: The Tree directed by Sonja Prosenc

South Africa: The Two of Us directed by Ernest Nkosi

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South Korea: The Throne directed by Lee Joon-ik

Spain: Flowers directed by Jon Garano, Jose Mari Goenaga

Sweden: A Pigeon Sat on a Branch Reflecting on Existence directed by Roy Andersson

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Switzerland: Iraqi Odyssey directed by Samir

Taiwan: The Assassin directed by Hou Hsiao-hsien

Thailand: How to Win at Checkers (Every Time) directed by Josh Kim

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Turkey: Sivas directed by Kaan Mujdeci

United Kingdom: Under Milk Wood directed by Kevin Allen

Uruguay: A Moonless Night directed by German Tejeira

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Venezuela: Gone with the River directed by Mario Crespo

Vietnam: Jackpot directed by Dustin Nguyen

 

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The 88th Academy Awards nominations will be announced live on 14 January, 2016 at the Academy’s Samuel Goldwyn Theater in Beverly Hills.

 

The 88th Oscars will be held on 28 February, 2016, at the Dolby Theatre in Hollywood. The Oscar presentation will be televised live in more than 225 countries and territories worldwide.

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Movies

Green Gold Animation creates CG character for Telugu film Rākāsā

Chhota Bheem studio expands into mainstream VFX with dialogue-free digital lead.

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MUMBAI: Green Gold Animation, the house that gave India Chhota Bheem, is now stepping out of the kids’ zone and into the big screen with a rather silent but powerful performer. The Hyderabad-based studio’s VFX division has delivered a fully computer-generated character for the upcoming Telugu-language comedy-fantasy thriller Rākāsā, set for theatrical release on 3 April 2026. Directed by Manasa Sharma and produced by Niharika Konidela under Pink Elephant Pictures in collaboration with Zee Studios, the film marks a notable move for Green Gold into complex, character-driven work for mainstream cinema.

What makes the project stand out is its ambitious central character, a completely digital creation that does not speak a single line. Instead, the character relies entirely on animation, movement, facial expressions and body language to convey emotion and connect with audiences. This is a relatively unexplored approach in Telugu cinema at this scale.

Green Gold’s VFX team was involved from early pre-production through to final delivery, completing over 750 CG shots with a team of more than 100 artists. The work included detailed character animation, performance design and fluid simulations, all executed within tight timelines and practical budgets through strong planning and close collaboration.

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Green Gold Animation founder & CEO Rajiv Chilaka said the project pushed the team to approach character creation differently. “Building a fully digital character where every emotion had to come through performance and detailing was very meaningful,” he noted.

Green Gold VFX supervisor and VFX creative director Murali Manohar Reddy added that the emotional depth had to be communicated entirely through visual performance. “This wasn’t about reinventing technology, but about using our tools and processes with precision to serve the story,” he said.

Producer Niharika Konidela praised the collaboration, saying the Green Gold VFX team understood the vision and brought strong detail and emotion to the character while working within practical constraints.

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The film blends humour, action and mythological elements, following an NRI protagonist on a chaotic and magical adventure. It stars Sangeet Shobhan, Nayan Sarika, Vennela Kishore, Brahmaji and Ashish Vidyarthi, with music by Anudeep Dev.

For a studio best known for colourful kids’ animation, delivering a silent, emotionally expressive CG lead for a mainstream theatrical release is quite the plot twist. With Rākāsā, Green Gold Animation is quietly proving it can speak volumes even without dialogue.

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