Hindi
Indian short film Kush in Oscar race
MUMBAI: It’s always a proud moment for the Bollywood industry when any movie enters the race to the Oscars. Walking on those lines, Indian director Shubhashish Bhutiani’s short film Kush has been short-listed by the Academy for 10 live-action shorts that will advance in the Oscar race.
Three or five films out of these 10 films will be selected for Oscar nomination by the Short Films and Feature Animation Branch members.
Kush, a 25 minute film, stars Sonika Chopra, Shayaan Sameer and Anil Sharma. It has been produced by Shubhashish’s father Sanjay Bhutiani through their Red Carpet Moving Pictures banner.
Bhutiani made the film, inspired by a true story, for his graduation project at New York’s School of Visual Arts.
The film’s story takes place during the riots that followed the assassination of Prime Minister Indira Gandhi in 1984. The story revolves around a school picnic where a teacher is trying to protect Kush, the only Sikh child in the group from the violence raging around them.
To top it all, Kush won the Orizzonti Award for Best Short Film at the 70th Venice International Film Festival 2013 and jury prize at Hamptons International Film Festival.
The other nine short listed films include ‘Aquel No Era Yo’ (That Wasn’t Me) by director Esteban Crespo, ‘Avant Que De Tout Perdre’ (Just before Losing Everything) by director Xavier Legrand, ‘Dva’ (Two) by Mickey Nedimovic, ‘Helium’ by director Anders Walter, ‘Throat Song’ by director Miranda de Pencier, ‘Tiger Boy’ by Gabriele Mainetti, ‘The Voorman Problem’ by Mark Gill, ‘Pitaako Mun Kaikki Hoitaa?’ (Do I Have to Take Care of Everything?) by Selma Vilhunen and ‘Record/Play’ by Jesse Atlas.
The Short Films and Feature Animation Branch Reviewing Committee viewed all the eligible entries for the preliminary round of voting at screenings held in Los Angeles. Branch screenings will be held in Los Angeles, New York and San Francisco in December.
The 86th Academy Awards nominations will be announced on 16 January while the Oscar ceremony will take place on 2 March, 2014 at the Dolby Theatre at Hollywood and Highland Center.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
