I&B Ministry
Indian govt presents Waves 2025 to 100 ambassadors and high commissioners
MUMBAI: In a glitzy push to make India the hotbed of global media action, the government rolled out the red carpet for its ambitious World Audio Visual & Entertainment Summit (Waves) 2025 today at Sushma Swaraj Bhawan in New Delhi in the presence of 100 ambassadors and high commissioners. MIB officials made a hard sales pitch to prod them and make them realise that the Indian government is extremely serious about Waves 2025 and they in turn should carry this message back to their national governments and ensure robust participation from their respective countries.
Waves 2025—set to make a splash in Mumbai from 1 to 4 May 2025—promises to be a star-studded affair that will see the worlds of tech, media and entertainment collide in spectacular fashion.
Union minister for external affairs S. Jaishankar didn’t mince words about the summit’s significance: “Economic and political rebalancing is moving towards cultural balancing. We are not truly global if we are not truly local. Waves 2025 captures the spirit of this endeavour.”
He urged the ambassadors and high commissioners to familiarise their governments regarding the opportunities of global collaborations courtesy the Waves 2025 initiative.
Meanwhile, information & broadcasting minister Ashwini Vaishnaw turned up the heat, declaring that “the intersection of creativity, media and technology is transforming the media landscape of the world and reaching a new level of convergence.” He teased that “some of the biggest names” in the industry would be gracing the Mumbai bash.
Not to be outdone, Maharashtra chief minister Devendra Fadnavis jumped into the fray, drumming up Mumbai’s credentials as the “financial and entertainment capital of India” that serves as the “perfect backdrop” for the summit.
“Waves 2025 is a movement,” Fadnavis proclaimed, while welcoming the establishment of the Indian Institute of Creative Technology which the government has committed to set up in Mumbai with Rs 391 crore being allocated for it. He expressed hope that “media will continue to be a force for good,” in a world where technology and creativity are increasingly getting into bed together.
Minister of state for information & broadcasting, L. Murugan effusively stepped up to say that Waves 2025 will open the door “to joint ventures, co-productions, and business expansion, enabling global media companies to engage with India’s creative sector. We remain steadfast in creating a conducive environment for the M&E industry, supporting ease of doing business, content localisation, and infrastructure development.”
Information & broadcasting secretary Sanjay Jaju revealed that the four-day extravaganza will feature multiple tracks designed to make waves across the industry:
* A global media dialogue featuring ministers and policymakers
* Thought leaders Track with knowledge-sharing sessions
* Waves exhibition showcasing storytelling innovations
* Bharat pavilion highlighting India’s media heritage
* Waves Bazaar to facilitate business networking
* WaveXcelerator to back media startups with mentorship and moolah
* Waves Culturals featuring performances that blend Indian and international talent
Also present was Maharashtra government chief secretary Sujata Sauni who exchanged a memorandum of understanding relating to Waves 2025 with Jaju.
The organisers are also playing up Waves 2025’s integration with the orange economy, positioning the summit as a catalyst for economic growth and job creation through creative industries.
With Mumbai ready to throw open its doors to thought leaders grappling with issues from AI to streaming revolutions, intellectual property rights, misinformation, and media sustainability, Waves 2025 is gearing up to be the first summit of its kind to tackle these hot-button issues by promoting cultural diversity, innovation, and equitable access to media platforms.
As the countdown begins, all eyes are now on whether this media matrimony can truly deliver on its lofty promise of becoming “the biggest unifying factor between country to country, people to people and culture to culture in the digital age.”
I&B Ministry
CBFC speeds up film certification; average approval time cut to 22 days
Over 71,900 films cleared in five years as digital system shortens approval timelines
MUMBAI: The Central Board of Film Certification (CBFC) has significantly reduced the time taken to certify films, with the average approval timeline now down to 22 working days for feature films and just three days for short films.
Operating under the Ministry of Information and Broadcasting, the statutory body certifies films for public exhibition in line with the Cinematograph Act, 1952 and the Cinematograph (Certification) Rules, 2024. The rules prescribe a maximum certification period of 48 working days, though the adoption of the Online Certification System has sharply accelerated the process.
Over the past five years, from 2020-21 to 2024-25, the board certified a total of 71,963 films across formats. Of these, the majority fell under the U category with 41,817 titles, followed by UA with 28,268 films and A with 1,878 films. No films were certified under the S category during the period.
Film approvals have also steadily risen in recent years. The CBFC cleared 8,299 films in 2020-21, a figure that peaked at 18,070 in 2022-23 before settling at 15,444 films in 2024-25. During the same period, 11,064 films were certified with cuts or modifications.
Despite the high volume of certifications, outright refusals remain rare. Only three films were denied certification over the last five years, with one refusal recorded in 2022-23 and two in 2024-25.
The board may recommend cuts or modifications if a film violates statutory parameters relating to the sovereignty and integrity of India, security of the state, friendly relations with foreign states, public order, decency or morality, defamation, contempt of court or incitement to an offence.
Filmmakers can challenge CBFC decisions in court. Data shows that such disputes remain limited but have seen some fluctuation. Between 2021 and 2025, a total of 21 certification decisions were challenged before High Courts, with the number rising to 10 cases in 2025.
Responding to a question in the Rajya Sabha, minister of state for information and broadcasting L. Murugan shared the data. The question was raised by Mallikarjun Kharge.
With faster timelines and a largely digital workflow, the certification process appears to be moving at a far brisker pace, signalling a shift towards quicker clearances for India’s growing film output.
