News Broadcasting
Import duty on foreign content in effect in Sri Lanka; local broadcasters hit
MUMBAI: In a conscious move to boost the island nation’s slipping local entertainment industry, the Sri Lankan government has introduced strict finance regulations on foreign content.
As per the regulations made by the president under section 8 of the Finance Act, No.11 of 2006, effective 16 July, all imports of Bollywood and Hollywood movies and television content are taxed in the country.
As per the new regulation, for every 30 minutes or part there of tele-drama or film if dubbed in the Sri Lankan native language Sinhala or Tamil will bear an import duty of Rs 90,000. For every 30 minutes or part there of tele-drama or film not falling within the above category will have to pay Rs 75,000 in tax.
The media tax also covers television commercials made abroad for local companies. This regulation mainly targets local firms, which have been outsourcing their promotional work to Indian advertising firms. Commercials are being charged Rs 1,000,000. This is for any number of telecasts, during the period of one year, commencing on the date of issue of the Certificate of Clearance.
Programmes with Tamil language content are exempt from the tax as Sri Lanka produces very little Tamil programming. The tax would also not apply to documentaries, educational dramas, movies screened in theatres and children’s entertainment.
News wire AFP has quoted market watchers as saying that, the local television stations air more than 1,500 movies, mainly English, Tamil and Hindu, each year. English content on local stations is limited to about four movies, four dramas, music programmes, adventure series, cartoons and a few sitcoms per week. Though native Hindi speakers are virtually non-existent in Sri Lanka, subtitled programmes made in Bollywood are hugely popular on local television and easily attract sponsors — unlike local productions which hardly draw any viewers.
President Mahinda Rajapakse, who also handles the finance portfolio, has been quoted in media reports as saying that, the money would be used to develop the local film industry. According to industry sources indiantelevision.com spoke to, the government move would put a virtual ban on the import of foreign content.
“The government wants to nurture the local entertainment industry. At present, foreign content enjoys a clear majority in local channels. For example, out of the 57 films aired on Sri Lankan TV each week, nearly 50 are foreign language ones. This is a matter of grave concern for the government as well as the local industry,” says a Tamil Nadu-based television producer, who put his plans to sell content to Sri Lankan TV on hold due to the new regulation.
The local Sri Lankan television players agree that the business will take a hit due to the almost “impossible” taxes. They are not buying Rajapakse’s contention that the move would boost the local entertainment industry. “The only way the local industry can achieve growth is by learning from the foreign players. Before competing with the foreign players, it needs to get itself updated with the global standards of production and storytelling. Now, if the government thinks otherwise, it will only narrow down the opportunities of growth for the local broadcast industry,” states Maharaja Television (MTV) CEO Mohan Nair.
From the Indian perspective, the new regulation will see the demand for Indian content hitting a low volume.
The ruling has forced Zee TV, which was about to kick off a content syndication deal with a Sri Lankan TV broadcaster, to stall the process. “We were about to sell a television soap in Sri Lanka. However, now we are told by our client in Sri Lanka that there was a virtual ban in effect in the country, and the deal has been delayed,” says a Zee source close to the developments.
However, Star India sounds least concerned by the developments. “We had completed our deals for certain television soaps such as Kahani Ghar Ghar Ki and Kasauti Zindagi Kay two years back. It will take three more years for the Sri Lankan versions of these soaps to catch up with the present storyline. So, at present, this is not a matter of concern for us,” says Star India EVP Marketing & Communication Ajay Vidyasagar.
MTV’s Nair argues that the local broadcasters have been making attempts to nurture local talent by devoting a certain portion of their content to locally produced shows. In the case of MTV, the broadcaster has two joint ventures in effect with the Chennai-headquartered Radaan Mediaworks and the Mumbai-based Sri Adhikari Brothers Television Network Ltd (SABTNL). Vasudha, a Sinhalese soap produced by the MTV-Radaan venture Talent Factory, has been on air since the last one year. Talent Factory is now all set to launch a new soap Kaavya in August, according to Nair.
Speaking to indiantelevision.com, SABTNL vice chairman Markand Adhikari said the company was not affected by the new regulation, since it was producing only local content. According to Adhikari, SABTNL’s JV with MTV, Broadcast Media, is presently telecasting five hours of locally produced content per week. “We are planning to take it up to seven hours,” Adhikari says.
Nair meanwhile, is hopeful that the government will show the inclination to understand the real picture. “At present we are weighing options for our future course of action. We haven’t called off any foreign deals as yet. Both Indian and American media companies have taken up this issue and they are supporting us in this cause. We are hopeful that, the government would understand the situation and give us justice,” says Nair.
News Broadcasting
News TV viewership jumps 33 per cent as West Asia war draws audiences
BARC Week 8 data shows news share rising to 8 per cent despite T20 World Cup
NEW DELHI:Â Even as individual television news channel ratings remain under a temporary pause, the genre itself is seeing a clear surge in audience attention.
According to the latest data from Broadcast Audience Research Council India, television news recorded a 33 per cent jump in genre share in Week 8 of 2026, covering February 28 to March 6.
The news genre accounted for 8 per cent of total television viewership during the week, up from 6 per cent the previous week. The spike in attention coincided with escalating geopolitical tensions involving the United States, Israel and Iran, which have kept global headlines firmly fixed on West Asia.
The rise is notable because it came at a time when cricket was dominating television screens. The high-stakes stages of the ICC Men’s T20 World Cup, including the Super 8 fixtures and semi-finals, were being broadcast during the same period.
Despite the cricket frenzy, viewers appeared to be toggling between sport and global affairs, boosting the overall share of news programming.
The surge in genre share comes even as the government has enforced a one-month pause on publishing ratings for individual news channels. The move followed regulatory scrutiny of the television ratings ecosystem.
While channel-level rankings remain temporarily out of sight, the genre-level data suggests that when global tensions escalate, audiences continue to turn to television news for real-time updates.








