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I&B Ministry

I&B Ministry to study why MSOs are not taking indigenous STBs

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NEW DELHI: The Information and Broadcasting Ministry (I&B) will facilitate a meeting of manufacturers of indigenous set top boxes (STBs) and multi-system operators (MSOs) next week in view of complaints by the manufacturers that no orders were being placed for their STBs.

 

This was decided at a meeting of the Task Force which will oversee the next two phases of digital addressable system (DAS) and which met under the chairmanship of Ministry Additional Secretary J S Mathur here today.

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Earlier this week, the manufacturers had met Ministry secretary Bimal Julka and made the same complaint.

 

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The participants were apprised that around 3.5 households had to be covered in the third phase of digitisation.

 

A Ministry source told indiantelevision.com that the meeting discussed various roadblocks on the road to full digitisation and ways to overcome these hurdles.

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Star India legal & regulatory senior vice president Pulak Bagchi, who is also the representative of the broadcasters said emphatically that broadcasters would support voluntary transition to DAS as long as there were some ground rules.

 

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He also said that broadcasters were prepared to give concessions to operators switching over to DAS provided the operators totally stopped analogue transmission.

 

Bagchi also said that it should be made mandatory that any MSO or local cable operator who switches over to DAS should switch off analogue and not run both systems.

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The meeting was attended by around 20 people and included representatives of trade bodies like FICCI and CII, apart from MSOs, LCOs and DAS advisor Yogendra Pal.

 

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I&B Ministry

CBFC speeds up film certification; average approval time cut to 22 days

Over 71,900 films cleared in five years as digital system shortens approval timelines

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MUMBAI: The Central Board of Film Certification (CBFC) has significantly reduced the time taken to certify films, with the average approval timeline now down to 22 working days for feature films and just three days for short films.

Operating under the Ministry of Information and Broadcasting, the statutory body certifies films for public exhibition in line with the Cinematograph Act, 1952 and the Cinematograph (Certification) Rules, 2024. The rules prescribe a maximum certification period of 48 working days, though the adoption of the Online Certification System has sharply accelerated the process.

Over the past five years, from 2020-21 to 2024-25, the board certified a total of 71,963 films across formats. Of these, the majority fell under the U category with 41,817 titles, followed by UA with 28,268 films and A with 1,878 films. No films were certified under the S category during the period.

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Film approvals have also steadily risen in recent years. The CBFC cleared 8,299 films in 2020-21, a figure that peaked at 18,070 in 2022-23 before settling at 15,444 films in 2024-25. During the same period, 11,064 films were certified with cuts or modifications.

Despite the high volume of certifications, outright refusals remain rare. Only three films were denied certification over the last five years, with one refusal recorded in 2022-23 and two in 2024-25.

The board may recommend cuts or modifications if a film violates statutory parameters relating to the sovereignty and integrity of India, security of the state, friendly relations with foreign states, public order, decency or morality, defamation, contempt of court or incitement to an offence.

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Filmmakers can challenge CBFC decisions in court. Data shows that such disputes remain limited but have seen some fluctuation. Between 2021 and 2025, a total of 21 certification decisions were challenged before High Courts, with the number rising to 10 cases in 2025.

Responding to a question in the Rajya Sabha, minister of state for information and broadcasting L. Murugan shared the data. The question was raised by Mallikarjun Kharge.

With faster timelines and a largely digital workflow, the certification process appears to be moving at a far brisker pace, signalling a shift towards quicker clearances for India’s growing film output.

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