Hindi
IAF jolts Mausam release
MUMBAI: Looks like the Shahid Kapoor starrer Mausam has been mired by controversies.
First, it was the cow scene that made the Censor Board to stop the exhibition of the film‘s promo. And now the Indian Air Force (IAF) has objected to certain action scenes in the film, in which the actor essays the role of a fighter pilot.
The IAF has raised objection to an action scene in the film and has held back the No Objection Certificate (NOC) until the changes are made. Unless the IAF grants this film an NOC, the Censor Board will not accept it for review.
However, producer Sheetal Talwar said this would not be possible at this late hour because it would require a re shoot and also affect the plot.
While the IAF refused to discuss the details of their objection, spokesperson Wing Commander Gerard Galway said the change they sought was minor. “We have objected to only about 30 seconds of the film. Pankaj Kapoor has otherwise done a wonderful job of portraying an IAF officer and the entire movie is authentic.”
Galway said that they had a healthy discussion with the director and producer over the objectionable part. “They were very gracious and agreed to do something about it. Once the scene is rectified, the NOC will be granted.”
A love story starring Shahid and Sonam Kapoor, the film is scheduled to hit the screens on 16 September.
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
