iWorld
“I don’t think of filmmaking being gender-specific:” Mitakshara Kumar
Mumbai: In the world of Indian cinema, where grandeur and storytelling often collide, Mitakshara Kumar stands out as a filmmaker whose journey is as captivating as her creations. With a background in Economics from Lady Shri Ram College and prestigious training from the Film and Television Institute of India, Kumar has seamlessly transitioned from a promising student to a celebrated director and writer. Her cinematic journey began as an assistant director with the iconic Bluffmaster! and has since soared to the grand stages of working on Sanjay Leela Bhansali’s epics and helming Disney+Hotstar’s The Empire.
Indiantelevision.com’s Suman Baidh caught up with filmmaker Mitakshara Kumar as she took the helm of Netflix and Sanjay Leela Bhansali’s highly anticipated Heeramandi as episodic director, Kumar reflects on her career, her passion for diverse storytelling, and the future she envisions for herself and the industry.
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On your entry into the film business working with Emmay Entertainment, and collaborating with Sanjay Leela Bhansali.
I must agree that God and my parents have been kind, to say the least. Even before graduation, I had decided to write the FTII entrance exams, much to the disappointment of my father because I was an economics student. However, when I cleared FTII and thankfully because it is a premier Government Institution, my father’s disappointment soon turned into pride, especially because I was awarded a scholarship. After that, the decision to move to Mumbai was a natural step. I am thankful to all the filmmakers I had the opportunity to work with, be it Rohan Sippy, Onir, Nikhil Advani or Sanjay Leela Bhansali, each one of them have taught me so much and have helped me be the filmmaker I am today. I cannot say I had it tough, because the reality is that I did not… I definitely worked hard to get here, but the truth is also that the people I worked with were generous to let me learn.
On directing the magnum opus Empire and then becoming the episodic director for Heeramandi, was there any difference for you, considering both were grand period pieces
Honestly speaking, not quite. Because thanks to my training with Sanjay Sir on the films he made, I was comfortable with working on the scale and grandeur of these series. I am grateful to Nikhil Advani, Monisha Advani and Madhu Bhojwani for entrusting me with The Empire. It was my first and their confidence in me, in a way, bolstered mine as well. Then when Heeramandi happened, because it was Sanjay Sir, the world and the script was to the minutest of detail. So as a filmmaker for me on both fronts, it was easy, also as we had the best of crew and talent working on them with the utmost of passion. What more can a filmmaker ask for. (Laughs)
On your concern towards being labelled as a filmmaker who only does period pieces
There are days when I do think about it, I will not lie. But then I think that is the nature of the business. We are quick to slot people as to what they can and cannot do, till you break that for yourself. As a filmmaker, I want to be known for my quality of work and the legacy I will get to leave behind. I am working on my next, feature debut which is a contemporary, off-beat subject and have written another thriller that I am working on. So for myself, I am exploring different genres of cinema. I want to keep challenging myself to grow as a filmmaker.
On the most difficult thing about being a filmmaker
I think growing up, my parents much like everyone else’s, always told me that no matter what you do, do it to the best of your ability. That is something I try and do on every piece of work I do. I think I am now conditioned in a manner wherein I look at the difficulties presented on a set as an opportunity and find solutions around them. I think that is the best way to tackle a problem be it on set or off. On a day to day basis every film set will have something or the other that poses as a problem, the key for me is to be able to not lose focus on the larger picture and more importantly the story being told.
On that note, you are one of the few female filmmakers in the country
I don’t think of filmmaking being gender specific. That being said, yes there are fewer women filmmakers in the country, but that is something I also believe is on the path of change. Today we have the likes of Zoya Akhtar, Anjali Menon, Payal Kapadia, Kiran Rao, Meghna Gulzar, Farah Khan and so many others who are championing Indian cinema not just here but globally. I think what is crucial is that more press highlights the achievements of all these brilliant storytellers, which in turn can inspire a whole new breed of women storytellers.
On inspiring a new breed of storytellers
As an art form, Cinema is meant to inspire and evoke emotions. If through my work I can even influence one person for the good, then why not? Something I am more conscious about in my filmmaking is having more women part take in the making of my films and content. Just like I was given the platform, I only think it is fair and just to pave the way for others and pass it forward. Knowledge is always to share and that is something that I have learnt both from my parents and all my collaborators across everything I have done so far. The only thing I keep telling everyone is never stop dreaming and if you fail, keep trying till you succeed. “Himmat harne ki cheez nahi hai” (“Courage is not something that one loses”).
Could you tell us a bit about what’s next
I have a couple of interesting things lined up. Like I mentioned, one of them is a feature film with Emmay Entertainment. Collaborating with Nikkhil, Monisha and Madhu is always fun, for me they are home. I have a women-centric comedy I am working on and then there is also a thriller and musical that I am working on. I think it would be a little early in the day to share more details and I would leave that to my producers to do when the time is right. I want to focus on the creative and storytelling.
iWorld
Prime Video unveils biggest India originals slate yet
Nearly 55 titles across languages signal deeper push into films, series
MUMBAI: Prime Video is turning up the volume on Indian storytelling, unveiling its largest-ever Originals slate at the ‘Prime Video Presents’ showcase, with close to 55 series and films spanning languages, genres and formats.
The new lineup, which stretches across Hindi, Tamil and Telugu, signals a clear intent: go bigger, go wider, and meet audiences wherever they are watching, whether on streaming screens or in cinemas. Alongside Originals, the platform also announced a fresh theatrical slate under Amazon MGM Studios, marking a deeper step into the big-screen business.
Among the headline acts is The Revolutionaries, a large-scale drama from Nikkhil Advani starring Bhuvan Bam and Rohit Saraf. The slate also features Matka King with Vijay Varma, Raakh starring Ali Fazal and Sonali Bendre, and Lukkhe, which marks rapper King’s acting debut. Adding a genre twist is Vansh – The Kalyug Warriors, positioned as India’s first homegrown Hindi superhero series for streaming.
Familiar favourites are also making a return, with new seasons of Farzi, Panchayat, Call Me Bae, Dupahiya, Dahaad and The Traitors in the pipeline, reinforcing the platform’s bet on established franchises.
Regional storytelling gets a notable push. Highlights include a Telugu adaptation of The Traitors hosted by Teja Sajja, the drama Guvvala Cheruvu Ghat, and Tamil titles such as Exam and returning seasons of Vadhandhi and Inspector Rishi.
The slate also opens new creative partnerships. Hrithik Roshan’s HRX Films steps into streaming with Storm and Mess, while Alia Bhatt’s Eternal Sunshine Productions backs Don’t Be Shy. Production houses including Excel Entertainment, Tiger Baby Films and The Viral Fever further deepen the creative bench.
On the theatrical front, the platform is lining up five films, including Raftaar starring Rajkummar Rao and Keerthy Suresh, VIBE directed by Kunal Kemmu, Dilkashi with music by A. R. Rahman, Nayyi Navelli featuring Yami Gautam, and Kuku Ki Kundli starring Wamiqa Gabbi.
According to Prime Video India director and head of Svod business Shilangi Mukherji, India remains central to the platform’s global growth, ranking among its top markets for new subscribers. She noted that nearly two-thirds of users watch content in more than four languages, underlining a growing appetite for diverse storytelling.
Prime Video India director and head of originals Nikhil Madhok, said the new slate reflects a continued push towards bold, culturally rooted narratives with global appeal.
In short, Prime Video is not just adding titles, it is widening the lens. From small-town dramas to superhero sagas and cinema-ready spectacles, the message is simple: more stories, more voices, and far more ways to watch them.
