GECs
Hollywood stunt organisations seek Academy Award consideration
MUMBAI: Is it time for the most prestigious movie awards ceremony, The Academy Awards, to recognise stuntmen? Four of Hollywood’s premier stunt organisations certainly believe so.
With a week to go for the 77th edition of the Oscar Awards four stunt organisations have launched a unified effort to lobby The Academy of Motion Picture Arts and Sciences (Ampas) for recognition and acceptance of the category of Best Stunt Coordinator. In India the Oscars will air live on Star Movies on 28 February at 6:30 am.
Representatives from Stunts Unlimited, Brand X, The Stuntmen’s Association of Motion Pictures and The International Stunt Association have teamed to petition the Academy for recognition of their craft as both an art and a science and worthy of the creation of a new award category. There is an awards ceremony the World Stunt Awards which recognises their work.
In a joint statement they say, “Stunt performers are the only faction of the movie industry that must literally risk their lives for the sake of their art. The talent and expertise that is required of a stunt coordinator to be both creative and safe is enormous and highly deserving of Academy recognition.”
Movie mavericks like directors Steven Spielberg, Martin Scorsese who could win his first Oscar for The Aviator, Jerry Bruckheimer, Robert DeNiro, Dustin Hoffman, Michael Douglas and Arnold Schwarzenegger have all signed the petition. The stunt organisations make a valid point when they state that no one who has contributed a lot to the motion picture industry whether it is make up or costume design has failed to be recognised by the Academy.
On the television front an Emmy is awarded for Outstanding Stunt Coordination. The stunt organisations have further stated that action films that rely heavily on their work are amongst the highest earners at the box office.
GECs
Sahara One reports financial results, notes director exit and business realignment
Muted revenues, steady expenses and strategic adjustments shape company’s current phase
MUMBAI: In a tale where the sands seem to be slipping faster than they can be gathered, Sahara One Media and Entertainment Limited has reported another quarter of wafer-thin income and widening losses, even as a boardroom exit adds to the unease.
The company informed the Bombay Stock Exchange that its board, in a meeting held on April 4, approved its unaudited financial results for the quarter ended September 30, 2025. The numbers paint a stark picture. Total income for the quarter stood at just Rs 0.13 lakh, unchanged sequentially and sharply down from Rs 0.26 lakh a year earlier.
Losses, meanwhile, deepened. The company posted a net loss of Rs 24.16 lakh for the quarter, compared to Rs 18.81 lakh in the June quarter and Rs 39.69 lakh in the same period last year. For the six months ended September 2025, the cumulative loss stood at Rs 39.69 lakh, while the full-year loss for FY25 was reported at Rs 60.72 lakh.
Expenses continued to outweigh income by a wide margin. Total expenses for the quarter came in at Rs 24.30 lakh, led by employee benefit costs of Rs 6.51 lakh and other expenses of Rs 17.78 lakh. Earnings per share remained in the red at Rs (0.11) for the quarter.
The balance sheet reflects a company with significant assets on paper but limited operational momentum. Total assets stood at Rs 23,065.57 lakh as of September 30, 2025, broadly unchanged from March 2025. Equity share capital remained steady at Rs 2,152.50 lakh, while total equity was reported at Rs 18,004.85 lakh.
Cash and cash equivalents saw a modest uptick to Rs 6.75 lakh from Rs 4.68 lakh earlier, supported by a positive operating cash flow of Rs 180.01 lakh for the period.
Yet, beneath these numbers lies a more complex narrative. The company’s auditors flagged their inability to obtain sufficient evidence to form a conclusion on the financial statements, citing lack of access to records. They also raised concerns over the company’s ability to continue as a going concern, pointing to insufficient funds, delayed recoveries, and stalled content investments.
Adding to the governance overhang, the company disclosed that Rana Zia has resigned as whole-time director, effective October 16, 2025, citing other professional commitments. The resignation, noted and accepted by the board, also brings an end to her role across company committees.
Regulatory pressures continue to loom large. The Securities and Exchange Board of India has already initiated penal actions for non-compliance with listing norms, with trading in the company’s shares remaining suspended. There is also a risk of promoter demat accounts being frozen.
Legacy legal issues remain unresolved. A substantial deposit of Rs 694,027.88 thousand linked to the long-running OFCD dispute involving Sahara group entities is still under the purview of the Supreme Court of India. Restrictions on asset disposal continue to weigh on the company’s financial flexibility.
Operationally, challenges persist across multiple fronts. Advances worth Rs 1,92,916 thousand given for film content remain stuck, with delays in project completion and uncertain recoverability. The company’s YouTube channel, despite being operational, has generated no revenue for over three years due to compliance lapses. In a further twist, management has indicated that revenues may have been fraudulently diverted through unauthorised changes to its AdSense account, with a police complaint in the works.
There are also missed revenue opportunities. Television content rights continue to be used by a related party despite the expiry of the licence agreement, with fresh negotiations still underway.
For now, Sahara One Media and Entertainment Limited appears caught between legacy disputes and present-day operational hurdles. As losses linger and governance questions mount, the road to recovery looks less like a sprint and more like a slow trudge through shifting sands.
