International
Hollywood films look to appease growing market in China
MUMBAI: A Hollywood studio Metro Goldwyn Mayer has digitally removed all Chinese villains from its action flick Red Dawn, which recently released in the United States, in order to avoid antagonising Beijing.
The plot of the film revolves around a Chinese invasion of America in which a hit squad of teenagers from a high school football team saves the day. When the authorities at MGM realised the storyline could offend Beijing – jeopardising the film’s chances of making it to the lucrative Chinese market – they digitally removed all references to China.
As a result the villains now belong to North Korean (in the movie) and all reference to the Chinese flag and symbols have been replaced with North Korean ones. The film is a remake of a 1984 Cold War film of the same name, which starred Patrick Swayze and Charlie Sheen where the Russians were shown as the invaders.
China is one of the fastest growing markets for Hollywood movies at nearly $1.5 billion. Moreover, the new Chinese president Xi Jinping is said to be a big fan of Hollywood war films.
DMG Entertainment owner Dan Mintz was quoted in the LA Times as saying that if the movie had gone out in its original form “there would have been a real backlash. It’s like being invited to a dinner party and insulting the host all night long. There’s no way to look good … The film itself was not a smart move.” The company is a leading producer and distributor of movies in China.
In the past too, Beijing has stopped its business dealings with US studios which have criticised its government like the 1997 film Seven Years in Tibet starring Brad Pitt.
The latest James Bond movie Skyfall is currently not due for release in China either. The distributors of the movie are in negotiations with Beijing over the its release in the country owing to a part in the film that shows a former secret agent being tortured by the Chinese.
International
Council of Europe to unveil new TV and streaming co-production convention
Series Mania Forum to host landmark signing to boost global TV collaboration
LILLE: The small screen is getting a big policy push. At this year’s Series Mania Forum in Lille, Alain Berset will take centre stage to chair the opening ceremony for a new international convention aimed at reshaping how television and streaming series are co-produced across borders.
Set for March 26 at the Théâtre Marie Curie in Lille Grand Palais, the signing marks the debut of the first legal framework dedicated specifically to the independent co-production of series. In an industry where stories travel faster than ever, the move aims to make collaboration smoother, fairer and more transparent.
Backed by the Council of Europe, the convention is designed to strengthen cultural ties, give independent producers a firmer footing, and bring greater clarity to deals in a rapidly evolving content landscape. With streaming platforms fuelling a surge in global storytelling, the timing feels deliberate.
Council of Europe secretary general Alain Berset, underscored the cultural heft of series today, noting how they carry voices and viewpoints across borders. He called on member states and countries beyond Europe to sign on, framing the initiative as a way to turn culture into a tool for cooperation and democratic exchange.
For Series Mania founder and general director Laurence Herszberg, hosting the signing is both symbolic and strategic. She described the convention as a step that could widen the range of stories reaching audiences, staying true to the forum’s long-standing mission of championing diverse storytelling.
The ceremony will unfold alongside the Lille Dialogues, a high-level summit that gathers policymakers and industry leaders to debate the future of Europe’s audiovisual sector. Berset is also set to deliver the opening address there, adding political weight to a week already rich in creative ambition.
In short, as screens multiply and borders blur, Europe is putting a framework in place to ensure that storytelling keeps pace, collaboratively and coherently.
