Hollywood
Helen Mirren to play art heist hero with Ryan Reynolds
MUMBAI: According to Deadline, the Weinstein Company has set Ryan Reynolds (Two Guys and a Girl, The Proposal) and is negotiating with Golden Globe Award nominee Daniel Bruhl (Inglorious Basterds, Rush) to join Academy award winner Helen Mirren (The Queen, Hitchcock) in Woman In Gold.
In the film, Mirren will play real-life heroine Maria Altmann, a Jewish refugee from Nazi Austria, noted for her ultimately successful legal campaign to reclaim five family-owned paintings by the artist Gustav Klimt, stolen by the Nazis during World War II, from the Government of Austria. Reynolds will play the attorney who took his case despite knowing little about art, and Bruhl will play his adversary.
David Thompson and Kris Thykier are producing, while the executive producers are Harvey and Bob Weinstein, Christine Langan and Ed Rubin. Simon Curtis (My Week with Marilyn) will direct in May.
The script was written by Alexi Kay Campbell (The Golden Lady). Reynolds just finished Mississippi Grind, and he is the lead of Atom Egoyan’s The Captive and in Selfless. Bruhl is coming off Rush and most recently wrapped A Most Wanted Man.
Hollywood
Disney unifies streaming, film, TV and games under Dana Walden
Debra O’Connell to chair Disney Entertainment Television in new setup
LOS ANGELES: The Walt Disney Company is pressing play on a more tightly woven future. As audiences hop between cinema screens, streaming apps and game worlds, the media giant is stitching its storytelling arms into one coordinated machine under Dana Walden.
Set to take charge as president and chief creative officer on March 18, Walden will oversee a newly unified Disney Entertainment structure that brings together streaming, film, television and the company’s fast-expanding games and digital business. She will report directly to incoming chief executive officer Josh D’Amaro.
The thinking is simple. Whether viewers are watching on Disney+, heading to the cinema or diving into a game, Disney wants the experience to feel like chapters of the same story. Walden summed it up as strengthening the emotional thread between Disney’s characters and its audiences, wherever they choose to engage.
The leadership reshuffle reads like a carefully cast ensemble. Alan Bergman continues as chairman of Disney Entertainment, studios, steering film production, marketing and distribution while sharing oversight of direct to consumer.
Streaming gets a dual command. Joe Earley and Adam Smith step in as co-presidents of direct to consumer, jointly handling strategy and financial performance across Disney+ and Hulu. Earley will also guide content strategy, while Smith retains his role as chief product and technology officer across Disney Entertainment and ESPN.
A new chair enters the frame with Debra O’Connell taking on the role of chairman, Disney Entertainment Television. She will oversee an expansive slate that includes ABC Entertainment, National Geographic and Hulu Originals, while continuing to supervise ABC News and owned stations.
Gaming, once a side quest, is now a central storyline. Sean Shoptaw, executive vice president, games and digital entertainment, moves into the Disney Entertainment fold. His remit includes partnerships such as the collaboration with Epic Games, aimed at building a Disney universe linked to Fortnite.
Elsewhere, John Landgraf remains chairman of FX, reporting to Walden, while Asad Ayaz continues as chief marketing and brand officer, reporting to both D’Amaro and Walden.
The message behind the reshuffle is clear. Disney is no longer thinking in silos of screens but in stories that travel. And with Walden at the creative helm, the company is betting that a single, seamless narrative can keep audiences hooked, whether they are watching, scrolling or playing.
