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Great Place To Work Institute ranks Radio City among India’s Top 3 media firms

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MUMBAI: Radio City, a part of Music Broadcast Limited (MBL), has emerged as a leader in the ‘India’s Best Companies To Work For – 2017’ study.

Radio City has had a consistent presence in the list and the inclusion of Music Broadcast Ltd., has earned the radio network the coveted position for the 6th year. The list places Music Broadcast Ltd. amongst the top three media firms and top 50 companies overall in India.

Conducted by Great Place To Work Institute, the study measures employee experience and evaluates the people practices of participating organizations to arrive at the final list of companies.

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Known for its employee-centric practices and policies, Music Broadcast was especially called out for its ‘Cheers to Peers’ programme. This allows the employees to recognize a colleague who has helped them complete a challenging assignment. As a part of this activity, employees get to present a ‘Cheers to Peers’ card, in front of a large audience, to a co-worker from their own department or another, in order to recognize his or her efforts. In addition to this, the radio network follows a culture deeply entrenched in its core values that seeks to enhance employee engagement and satisfaction.

Radio City 91.1 FM CEO Abraham Thomas said, It is a perfect blend of culture and process orientation that has helped Radio City retain its leadership position year after year.”

Radio City 91.1 FM chief people officer Sagorika Kantharia said, “Our culture and value system allows our employees to innovate, grow and become leaders in their own right. Initiatives such as ‘Cheers to Peers’, Ring Aloud and Star and Sher of the month help us promote the spirit of unity while at the same time recognising individuals for their extraordinary work.”

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I&B Ministry

CBFC speeds up film certification; average approval time cut to 22 days

Over 71,900 films cleared in five years as digital system shortens approval timelines

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MUMBAI: The Central Board of Film Certification (CBFC) has significantly reduced the time taken to certify films, with the average approval timeline now down to 22 working days for feature films and just three days for short films.

Operating under the Ministry of Information and Broadcasting, the statutory body certifies films for public exhibition in line with the Cinematograph Act, 1952 and the Cinematograph (Certification) Rules, 2024. The rules prescribe a maximum certification period of 48 working days, though the adoption of the Online Certification System has sharply accelerated the process.

Over the past five years, from 2020-21 to 2024-25, the board certified a total of 71,963 films across formats. Of these, the majority fell under the U category with 41,817 titles, followed by UA with 28,268 films and A with 1,878 films. No films were certified under the S category during the period.

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Film approvals have also steadily risen in recent years. The CBFC cleared 8,299 films in 2020-21, a figure that peaked at 18,070 in 2022-23 before settling at 15,444 films in 2024-25. During the same period, 11,064 films were certified with cuts or modifications.

Despite the high volume of certifications, outright refusals remain rare. Only three films were denied certification over the last five years, with one refusal recorded in 2022-23 and two in 2024-25.

The board may recommend cuts or modifications if a film violates statutory parameters relating to the sovereignty and integrity of India, security of the state, friendly relations with foreign states, public order, decency or morality, defamation, contempt of court or incitement to an offence.

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Filmmakers can challenge CBFC decisions in court. Data shows that such disputes remain limited but have seen some fluctuation. Between 2021 and 2025, a total of 21 certification decisions were challenged before High Courts, with the number rising to 10 cases in 2025.

Responding to a question in the Rajya Sabha, minister of state for information and broadcasting L. Murugan shared the data. The question was raised by Mallikarjun Kharge.

With faster timelines and a largely digital workflow, the certification process appears to be moving at a far brisker pace, signalling a shift towards quicker clearances for India’s growing film output.

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