Event Coverage
Govt extends support to M&E sector in fighting digital piracy
NEW DELHI: The government of India yesterday stressed that it stood alongside the media and entertainment (M&E) industry in fighting digital piracy to safeguard loss of revenue and ease norms for doing business, while CII entertainment committee head and Viacom18 group CEO Sudhanshu Vats, on behalf of the industry, admitted that automation could result in loss of jobs leading to challenging times, but said the core of the industry will be ‘automation-proof’.
“The government will stand with you on the issue of digital piracy,” department of industrial policy & promotion (DIPP) joint secretary Rajiv Aggarwal told the audience on Tuesday at the CII-organised Big Picture Summit here, adding that they were exploring a national anti-piracy regulation or regime and there was no need to get further into enacting complicated laws but finding solutions based on global experiences.
Digital or online piracy is not only a big global challenge for the M&E industry, but has awakened stakeholders in India too who are feeling the heat of heavy loss of revenue due to rampant piracy of Indian content worldwide.
Pointing out that the Indian government is alive to the issue of digital piracy and the potential of the M&E industry in being able to generate revenues and employment in the country, Aggarwal said that they were looking at how global and some local bodies (like PIPCU of the UK, TIPCU in Telangana and Maharashtra’s online anti-piracy unit) were addressing this challenge.
Dwelling further on this issue, he exhorted the industry stakeholders to give feedback that will help India in forming a strong case and point of view for submission at WIPO where discussions are on to formulate standards for a global broadcast treaty.
This year’s Big Picture Summit, an annual two-day conference on issues related to M&E industry, has been themed `The Digital Takeover’, which lays emphasis on the creeping digitisation in general and of delivery services like cable, HITS and OTT, and an impending automation (egged on by the likes of AI) of the various industry sectors.
TRAI non-committal on exploring auctioning of TV licences
SK Gupta, telecom regulatory authority of India (TRAI) secretary, which is the telecoms and broadcast regulator, while dwelling on various issues of the recently issued recommendations on net neutrality said the organisation’s efforts have always laid emphasis on consumer interest, while creating a level playing field for all players.
Incidentally, at a time when the FCC has dismantled net neutrality norms in the US, put in place by the Obama regime earlier, favouring walled gardens of content and premium tiered pricing of various services, India’s TRAI has upheld net neutrality stating that all content should be made available to all distribution platforms on a non-discriminatory basis, apart from other level playing initiatives.
Later, asked by journalists on the sidelines whether TRAI was exploring a consultation paper on auctioning of TV licences or permissions on the advice of the ministry of information and broadcasting (MIB), Gupta said he at least was not aware of any such move. He was non-committal when pressed on the issue.
Asian Age newspaper a week back had reported that the government was exploring auctioning of television channel frequencies on the lines of telecoms spectrum, coal blocks and FM radio licences. Reason: bid to increase government revenues as presently permission to uplink and/or downlink TV channels cost a fixed amount with the applicant fulfilling certain set out financial norms, apart from getting clearances for satellite space and internal security. The newspaper report had added that MIB had sought advice from TRAI in this regard. What the report did not clarify was whether the auctioning was of TV licences pertained to DTT (digital terrestrial transmission) or satellite-delivered TV channels later distributed by cable and online.
M&E industry holds key to creating future-proof, dynamic workforce: Vats
Earlier in the morning, setting the agenda for the two-day conference, CII entertainment committee head and Viacom18 group CEO Sudhanshu Vats in his opening address said that the theme of ‘Digital Takeover’ was a topic that had “loads of nuances” that needed to be addressed in a proper perspective.
“In my honest assessment, this is an extremely provocative theme – and one that can mean different things to different people. I can imagine some of my colleagues from the broadcast sector feeling upset. I can also imagine what some of my younger colleagues, who are already social media influencers thinking – this theme is passé, the takeover was complete a few years ago. I don’t want to pick a side at this stage and I’m certain that no definitive side can be picked,” Vats said, adding that he hoped the theme would help delegates form their own distinctive understanding of the future of the Indian industry in general.
Pointing out that digital takeover could mean greater automation and fewer human jobs, a trend that could is likely to play out slowly in India because of availability of cheap labour, Vats said the Indian M&E sector directly employs between 1.1-1.2 million Indians and in the next five years one million more jobs would be added, thereby playing a role in “assuaging the challenge”. He added: “If we achieve breakout growth, that number can also touch five million. However, I would like to draw your attention not to the number of jobs but to their quality.”
Explaining that skills, like creativity, story-telling, emotional intelligence and cognitive ability, in M&E sector were most ‘non-routine’ jobs, Vats said, “These are also the skills that can be transferred to other sectors, making us a part of the solution. Of course, we too will face our share of the burden. Some roles will be automated, and the media organisation might look very different in 2027, but our core will still be automation-proof.”
Vats also pointed out that the private sector needed to be more ‘creator-friendly’ or ‘freelancer-friendly’, which also meant that the M&E sector could hold the key to “creating a future-proof, agile, dynamic workforce” that can take its skills and drive impact across industries even as the government continued to create a better business environment.
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Event Coverage
Anime India announces Amazon MX Player as co-presenting partner for Anime India Kolkata 2026
MUMBAI: Riding high on the success of its blockbuster Mumbai debut, Anime India is accelerating its nationwide expansion with the announcement of Amazon MX Player as the co-presenting partner for Anime India Kolkata. The partnership marks a significant step forward in the festival’s mission to deliver large-scale, accessible, and fan-first anime experiences across the country.
Scheduled for 14 and 15 February 2026 at the iconic Biswa Bangla Mela Prangan, Anime India Kolkata will launch the first regional chapter of what is set to be a year-long, multi-city tour. As the curtain-raiser for the 2026 circuit, the Kolkata edition aims to fuse the energy of global Japanese pop culture with India’s fast-growing community of anime, manga, and pop-culture fans.
A household name in digital entertainment, Amazon MX Player brings unmatched reach and cultural relevance to the Anime India platform. With its expanding focus on anime and youth-driven content, Amazon MX Player’s involvement as co-presenting partner reinforces Anime India’s vision of making anime culture more inclusive breaking barriers of language, geography, and accessibility to connect with fans nationwide.
Anime India Kolkata 2026 will showcase cosplay competitions, interactive zones led by the Indian Gunpla Community, India-39 Vocaloid Community, The Japan Curry, and Adda-o-Otaku by The Otaku Guild. Fans can join tournaments across fighting games, Pokémon VGC, and more. Acclaimed Japanese director Susumu Mitsunaka (Haikyu!!) will attend as guest of honour, appearing in panels and live sessions. Positioned as an immersive celebration of fan culture and industry collaboration, the Kolkata edition marks the beginning of Anime India’s nationwide expansion.
Sharing their perspective on the partnership, Amazon MX Player director Aruna Daryanani expressed, “Anime in India has evolved from a niche interest into a mainstream cultural movement, driven by an increasingly engaged and passionate fanbase. At Amazon MX Player, our focus is on expanding access by bringing anime to audiences across the country for free and in multiple local languages. Our association with Anime India reflects our commitment to supporting the growth of anime in India and deepening connections with fans, while continuing to build Amazon MX Player as a trusted destination for free, high-quality entertainment.”
“Anime India Kolkata is a celebration of how anime has grown beyond entertainment into a powerful cultural and creative force. By bringing fans, creators, and industry leaders onto one shared platform, the festival is helping define the future of pop culture in India,” said Anime India co-founder and director Neha Mehta.
The debut edition of Anime India 2025 in Mumbai attracted over 29,000 fans, quickly cementing its status as a landmark celebration of anime and Japanese pop culture. Riding on this overwhelming response, the Kolkata chapter is projected to draw more than 40,000 visitors across two days, positioning it as one of the biggest anime conventions ever held in eastern India.
Anime India is focused on bringing together fans from across the country to create a truly pan-India celebration of anime, manga, cosplay, gaming, and Japanese culture. With plans to expand into four key metropolitan hubs in 2026—east (Kolkata), north (Delhi), west (Mumbai), and south (Hyderabad)—the festival seeks to deliver globally benchmarked experiences while supporting and uplifting creators, artists, and fan communities throughout India.









