Hindi
Gangs of Wasseypur to be screened at Hong Kong Film Fest
MUMBAI: Anurag Kashyap‘s magnum opus ‘Gangs of Wasseypur‘ I and II has been selected to be screened at the 37th Hong Kong International Film festival.
The films starring Manoj Bajpayee, Richa Chadda, Nawazuddin Siddiqui and Reemma Sen were premiered at the 65th Cannes Film Festival last year.
Gulabi Gang directed by Nishtha Jain will also compete in the documentary section. The documentary traces a group of women in pink saris fighting against gender violence, corruption and for the rights of poor and Dalits.
Gulabi Gang is pitted against films like Joshua Oppenheimer‘s The Act of Killing, Ikeya Kaoru‘s Roots, Delphine Lanson‘s Father‘s Birth, Alex Gibney‘s Mea Maxima Culpa: Silence in the House of God, Christian Rosta and Claus Strigel‘s Redemption Impossible.
Apart from the above mentioned films, other films selected from India are ‘The Cloud-Capped Star, Celluloid Man, Ship of Theseus, Meghe Dhaka Tara, Guru of Silence, With You Without You and 21 Chitrakoot.
The Hong Kong International Film Festival s one of Asia‘s most reputable platforms for filmmakers, film professionals and filmgoers to launch new works and view fresh features.
This year the festival will screen over 330 titles from more than 50 countries in 12 major cultural venues across town.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
