GECs
Films form important component of Festival of India in Peru
NEW DELHI: Indian films are making a global presence it seems. At the Festival of India in Peru that was recently inaugurated by vice president Hamid Ansari, few new Indian films and old classics including Raja Harishchandra (silent), Taare Zameen Par (Hindi), Ghare Bhaire (Bengali), Ardh Satya (Hindi), Bobby (Hindi), A Wednesday (Hindi) and Kabhi Haan Kabhi Naa (Hindi) are being screened. The Indian Film Festival is being coordinated by the Information and Broadcasting Ministry.
An India-Peru Literature Festival and an Indian Classical Dance Festival is also being held as part of the fest.
Ansari’s visit is the highest ranking bilateral visit since year 1998 from India to Peru. The Festival would manifest many elements of long, rich and diverse Indian cultural heritage and would be the largest Indian cultural festival ever held in Latin America and the Caribbean. This reflects the special place that Peru enjoys among Indians.
The inaugural function was attended by the Peruvian First Vice President Marisol Espinoza and a number of senior dignitaries from the Indian and Peruvian side.
Indian Culture Secretary Ravindra Singh who is in Peru to mark the occasion said the Festival is expected to bring the Indian and Peruvian people closer to each other and will enhance people to people contact.
Highly reputed Indian writers like Arun Kamal, H S Shivaprakash, K Satchidanandan, Purshottam Agarwal, Shyama Prasad Ganguly, and Ms Karabi Deka Hazarika participated in the symposium on India-Latin America: Literary Exchanges and Influences and Contemporary Literary Trends and their Challenges in a Multilingual Society in addition to a session on poetry reading.
Several noted Peruvian Writers including Jose Leon Herrera, Pablo Carreno Cabrejos, Jose Ignacio Lopez Gaston, Marcel Velaquez Castro, and leading poets Carlos German Belli, Mario Montalbetti, and Marcos Martos would be participating in the Literature Festival. The Literature Festival is being coordinated by the Sahitya Academy.
The Indian Dance Festival in Peru is titled ‘Nrityarupa’, the mosaic of Indian dance which encapsulates the experience of Indian dance as it has evolved in various parts of the India. It offers a glimpse of the great mosaic of cultures that constitutes the Indian Nation, and demonstrates in a creative, kinetic form their dynamics in relation to each other. Six dance forms representing the diversity of India’s culture have been chosen for this presentation to audiences in Latin America: Bharatanatyam of Tamil Nadu, Kathank which is pre-eminently the dance of northern India; Odissi from Odisha in eastern India; Manipuri from north-eastern State of India; Kathakali of Kerala at Southern tip of the Indian peninsula; and Chhau which covers a wide swathe of territory in eastern States of the Union.
One seamless presentation of these dances has been visualized by leading to a jubiliant finish. The Indian Dance Festival is being coordinated by the Sangeet Natak Academy.
The Festival of India in Peru is being coordinated by the Culture Ministry in association with the Sahitya Academy, the Sangeet Natak Academy and the I&B Ministry.
Meanwhile, India and Peru have signed a Letter of Intent for enhancing cooperation in the fields of dissemination and promotion of cultural heritage of each other´s countries.
The two sides underscored the importance of further deepening bilateral cultural relations through cultural exchanges and cooperation in diverse art forms such as painting, dance, theatre, literature, craft, etc. as well as holding of cultural festivals in each other´s countries from time to time.
MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.
The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.
While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.
Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.
The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.
As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.
