Hindi
Films Division of India to celebrate Mahatma Gandhi’s birth anniversary
MUMBAI: Films Division of India, the repository of visual footage and short films on Mahatma Gandhi, is celebrating his 143rd birth anniversary by organizing a festival of films and art, aptly called – Baapu.
The five day event between 2 to 5 October will have screenings of some of the popular feature films on Gandhiji – Gandhi, The Making of The Mahatma, Gandhi My Father, Maine Gandhi Ko Nahin Mara, Lage Raho Munna Bhai and documentaries like Lines of Mahatma, Gandhi An Emerging Reality, Gandhiji through the Eyes of the Cartoonist, Gandhi, Nehru and Modern Art, Gandhiji‘s letter to Hitler and Places where Gandhiji lived.
Veteran film personalities like Shyam Benegal, Jahnu Barua, Anupam Kher, Feroz Abbas Khan, Rohini Hattangady, Darshan Jariwala and Arun Khopkar will grace the screenings and interact with the audiences.
Also included are live Baapu bhajans, slide show of Gandhi paintings by noted painter Atul Dodiya, and exhibition of Gandhi artifacts by Mani Bhavan and release of collectors’ edition DVD.
“Baapu” will be inaugurated by Shyam Benegal in the presence of Jahnu Barua and other dignitaries on 2 October. While there will be full day screenings from 11.00 am to 8.45 pm on 2 October and 10.00 am to 5.00 pm on 6 October, there will be evening screenings from 6.00 pm to 9.30pm from 3 to 5 October.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
