Hindi
Film industry protests against service tax and VAT
MUMBAI: Emboldened by the day-long fast that film and TV actors, filmmakers, technicians, theatre owners and distributors down South resorted to, the Film and Television Producers Guild of India has threatened the government that if the 12.36 per cent service tax is not rolled back, they will be forced to stop all film shootings from February onward. They have also threatened to not allow any film to release during this period either.
It is well-known that many actors do not pay their service tax from their own pocket; most of them openly tell the producer that he has to pay them 12.36 per cent by way of service tax over and above their acting fee. Producers have evaluated the cost of every project to be 12.5 per cent more, thanks to this additional service tax passed on to them by a majority of actors.
“The latest findings have put the Hindi film industry on the back foot. First of all, there is no guarantee of films doing well these days. Add to that the burden of service tax even before you start rolling the cameras. This is grossly unfair,” pointed out the source.
Confirming the news Film and Television Producers Guild of India President Mukesh Bhatt said, “We have spoken to the I & B Ministry and the state government. We are compelled to enforce a closure by the end of January if service tax and VAT are not waived off. We cannot take the burden any longer.”
It is said that the film fraternity is again meeting on Wednesday to chalk out a final decision.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
