Hindi
Eros readies pipeline of 65 movies across 7 languages in 2016
MUMBAI: Even as it has been embroiled in controversy over the last few months regarding its accounting practices, Eros International is planning to release as many as 65 movies in 2016 across seven different Indian languages like Hindi, Marathi, Tamil, Telugu, Malayalam, Bengali and Punjabi.
Additionally, Eros is also planning to release Sanjay Leela Bhansali’s Bajirao Mastani in China and other international markets in 2016.
HINDI
Eros’ Hindi films pipeline for 2016 includes R. Balki’s Ki & Ka starring Arjun Kapoor and Kareena Kapoor, the promos of which are already out. The company will also be releasing Sajid Nadiadwala’s Housefull 3 starring Akshay Kumar, and Rohit Dhawan’s Dishoom starring John Abraham and Varun Dhawan.
Baar Baar Dekho – a love story starring Katrina Kaif and Siddharth Malhotra will be releasing in association with Dharma Production, whereas Rock On 2 featuring Farhan Akhtar and Shraddha Kapoor will be released with Excel Entertainment.
After associating with producer-director Aanand L Rai on films like Tanu Weds Manu Returns and Raanjhanaa, Eros will release multiple films with Rai’s joint production company Colour Yellow Production. These include Nil Battey Sannata that has received a good response at various festivals including the 20th Busan International Film Festival, 59th BFI London Film Festival with Swara Bhaskar wining the Best Actress at the Silk Road Film Festival of China. Also in the pipeline are films like Happy Bhaag Jayegi, a comedy that will present the first-time pair of Abhay Deol and Diana Penty and Manmarziyan, a romantic drama starring Bhumi Pednekar and Ayushmann Khurrana.
Apart from these, Rai is also working on his own directorial film, which will go into production this summer.
This Diwali, Eros will release Ajay Devgn’s action drama – Shivaay.
After co-producing films like Goliyon Ki Rasleela Ram-Leela and Bajirao Mastani, Eros and Bhansali Productions will be joining hands on more co-productions, details of which will be announced at a later date.
Also scheduled to go on floor this year will be Eros and Phantom’s socio-drama superhero film Bhavesh Joshistarring Harshvardhan Kapoor to be directed by Vikramaditya Motwane.
Other films slated to release in 2016 include Hansal Mehta’s critically-acclaimed Aligarh, Marathi director and National award winner Ravi Jadhav’s Hindi debut Banjo starring Riteish Deshmukh and Nargis Fakri, director Mohit Jha’s sports drama Saat Kadam and Pawan Kripalani’s psychological thriller Phobia starring Raadhika Apte.
Eros will also release Vinay Sapru and Radhika Rao’s musical love story Sanam Teri Kasam starringnewcomers Harshvardhan Rane and Pakistani actress Mawra Hocane; Do Lafzon Ki Kahani by Deepak Tijori with Randeep Hooda and Kajal Agarwal as the lead pair along with Saif Ali Khan starrer Chef, a remake of 2014’s Hollywood hit Chef.
REGIONAL LANGUAGES
The company’s regional slate includes Marathi films like Sanjay Jadhav’s Guru, National award winning director Sujay Dahake’s Phuntroo, and Prakash Kunte’s & Jara Hatke.
Eros has already released the Telugu films – Balakrishna’s Dictator on 14 January, Pawan Kalyan’s Sardar Gabbar Singh, Mammootty’s Malayalam films White and Fahad Fazil’s Nale along with 2 Penkuttikalfeaturing Tovino Thomas, Amala Paul, Anju Kurian and Anna Fathima.
Following the release of Bengali film Monchora by Sandip Ray with Abir Chatterjee and Raima Sen in January, Eros will release Prakton directed by Shiboprasad Mukherjee starring Prosenjit Chatterjee and Rituparna Sengupta paired together after a decade.
The Tamil movies’ in the pipeline include the Sivakarthikeyan starrer Rajini Murugan that released earlier this month; Suriya’s 24 directed by Vikram, Enkitta Mothathe, which is cinematographer Natarajan Subramaniam’s (Nutty) debut as an actor with Sanchita Shetty directed by Ramu Chellapa, actor Jaya Prada’s first Tamil production Uyire Uyire, Suriya’s Singam 3, Kai Neelam directed by Nalan Kumarsamy, Oru Kidayin Karunai Mamu directed by Suresh Sangiah and an untitled film starring mega star Karthi.
The company is also collaborating with Harry Baweja to co-produce the sequel to the 3D animation film, Chaar Sahibzade, titled Chaar Sahibzaade 2 (Rise of Banda Singh Bahadur) followed by another 3D animation film Guru Tegh Bahadur.
Commenting on the company’s line-up, Eros International Media managing director Sunil Lulla said, “We have seen an excellent 2015 with the resounding success of Tanu Weds Manu Returns, peaking with the multiple-record breaking Bajrangi Bhaijaan and ending the year with our crowning glory Bajirao Mastani. We are at a very exciting phase in Eros and have an equally promising slate coming up this year that will reinforce and further strengthen our leadership position in the Indian media and entertainment industry. As a strategy, we will continue to diversify our presence across difference film genres, budgets and languages with a mix of popular and content driven cinema. In a few weeks, we will showcase to the world the first set of films under our Trinity franchise banner. Also scheduled to go on floor this year are some exciting directorial ventures by Sanjay Leela Bhansali, Kabir Khan, Aanand L Rai, Homi Ajadania, Sujoy Ghosh, Nishikant Kamat and Siddharth Anand. We hope and believe that 2016 will be just as magical as 2015 has been.”
In a music industry that often rewards speed, spectacle, and instant recall, Navjot Ahuja’s journey feels refreshingly different. His story is not built on noise. It is built on patience, discipline, emotional honesty, and a quiet commitment to becoming better with every passing year. After 14 years of struggle, learning, performing, and writing, Navjot stands today as an artist whose success has not changed his centre. If anything, it has only made his purpose clearer.
For Navjot, music has never been about chasing fame alone. It has always been about expression. It is about writing more truthfully, singing more skillfully, understanding himself more deeply, and becoming a kinder human being in the process. That rare clarity is what gives his journey its beauty.
Where It All Began: A Writer Before a Singer
Indian singer and songwriter Navjot Ahuja’s musical journey began in the most familiar of places: school assemblies. But even then, what was growing inside him was not only the desire to sing. It was the need to write.
Long before he saw himself as a performer, he had already discovered the emotional release that writing offered him. For Navjot, words became the first true channel for feeling. Songwriting came before singing because writing was the only way he could let emotions flow through him fully. That inner pull shaped his artistic identity early on.
Like many young musicians, he sharpened his craft by creating renditions of popular songs.
Those experiments became his training ground. But the turning point came in 2012, when he wrote his first original song. That moment did not just mark the beginning of songwriting. It marked the beginning of self-definition.
A Calling He Did Not Chase, But Accepted
What makes the latest Indian singer-songwriter Navjot’s story especially compelling is the way he describes his relationship with music. He does not frame it as a career he aggressively pursued. In his own understanding, music was not something he chose. It was something that chose him.
There was a time when he imagined a very different future for himself. He wanted to become a successful engineer, like many young people shaped by ambition and conventional expectations. But life had a different script waiting for him. During his college years, around 2021, music entered his life professionally and began taking a firmer shape.
That shift was not driven by image-building or industry ambition. It came from acceptance. Navjot embraced the fact that music had claimed him in a way no other path could. That sense of surrender continues to define the artist he is today.
An Artist Guided by Instinct, Not Influence
Unlike many singers who speak openly about idols, icons, and musical role models, Navjot’s creative world is built differently. He does not believe his music comes from imitation or inherited influence. He listens inward.
He has never considered himself shaped by ideals in the traditional sense. In fact, he admits that he does not particularly enjoy listening to songs, especially his own. His decisions as a songwriter and singer come from instinct. He writes what feels right. He trusts what his inner voice tells him. He positions his music according to what he honestly believes in, not what trends demand.
That creative independence gives his work a distinct emotional sincerity. His songs do not feel calculated. They feel alive.
The Long Years of Invisible Struggle
Every artist carries a chapter of struggle, and Navjot’s was long, demanding, and deeply formative. One of the biggest challenges he faced was building continuity as the best new indian singer songwriter in an era where musical collaboration is increasingly fluid.
For emerging singers, especially those trying to build with a band, consistency can be difficult. Instrumentalists today have more opportunities than ever to freelance and perform with multiple artists. While that growth is positive and well deserved, it can make things harder for singers who are still trying to establish a steady team and sound around their work.
For Navjot, one of the most difficult phases came during 2021 and 2022, when he was doing club shows almost every day. It was a period of relentless performance, but not always personal fulfillment. He was largely singing covers because clubs were not open to original songs that audiences did not yet know.
For a new Indian singer and songwriter, that can be a painful compromise. To perform constantly and still not have the freedom to share your own voice requires not just resilience, but restraint.
“Khat” and the Grace of Staying Unchanged
After 14 years of effort, Navjot’s new love song Khat became a defining milestone. Professionally, he acknowledges that the song changed how society viewed him as a musician. It strengthened his place in the public eye and altered his standing in meaningful ways.
Yet personally, he remains unchanged.
That is perhaps the most striking part of his story. Navjot says his routine is still the same. His calm is still the same. His writing process is still the same. He does not want success or failure to interfere with the purity of his art. For him, emotional detachment from public outcomes is essential because the moment an artist becomes too attached to validation, the writing begins to shift.
His joy comes not from numbers, but from the attempt. If he has tried to improve his skill today, if he has written his heart out more honestly than before, then he is at peace.
Growth, Not Glory, Remains the Real Goal
Even now, Navjot is not consumed by labels such as singles artist, performer, or digital success story. His focus remains deeply personal. He wants to sing better. He wants to play instruments better. He wants to understand himself more. And he wants to become a kinder person.
That is what makes Navjot Ahuja’s journey so moving. It is not simply the story of a musician finding recognition. It is the story of an artist who continues to grow inward, even as the world begins to look outward at him. In an age obsessed with applause, Navjot reminds us that the most meaningful success often begins in silence, honesty, and the courage to remain true to oneself.
