Hindi
Eros partners PKP for Tamil film
MUMBAI: Eros International Media (EIML), the pure play film entertainment company, has entered into a co-production deal with Photon Kathaas Productions (PKP) for a Tamil film.
The action thriller film, titled Yohan: Adhyayam Ondru, will have Vijay in the lead role.
Produced in association with Future Film Production (UK production), the film will be directed by Gautham Menon and is likely to go on the floors in the second quarter of 2012.
Yohan centers on a character that will be featured in a series of films (prequels and sequels). The film will be shot in international locations, predominantly in the United Kingdom with the active support of the UK government.
Eros International Media MD Sunil Lulla said, “Eros continues to make advances in the regional film markets and we are happy to associate with PKP and further expand our south repertoire. Yohan: Adhyayam Ondru promises to be one of its kind action thrillers by the very talented Gautham Menon.”
Menon added, “I am really looking forward to filming an all-out action film after Vettaiyadu Villaiyadu. Also interesting because I will be working with Vijay for the first time. Yohan will be made like an international film while still retaining all the elements, especially music, that makes Indian cinema work.”
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
