Hindi
Eros Intl to distribute Agneepath internationally
MUMBAI: Eros International Media Ltd will be releasing Dharma Productions‘ upcoming film Agneepath, in the international markets on 26 January, 2012.
Agneepath directed by Karan Malhotra is homage to the cult 1990 classic directed by the late Mukul S Anand. The action drama stars Hrithik Roshan playing the role of Vijay Dinanath Chauhan originally played by Bachchan. The film also stars Priyanka Chopra, Sanjay Dutt as Kancha Cheena and Rishi Kapoor who also essays an antagonist in the film.
Eros International president – marketing and distribution Pranab Kapadia said, “Agneepath marks the first of the big ticket releases next year and Eros is excited about associating with Dharma Productions to present this thrilling action film on a global platform. Audiences are looking forward to Hrithik‘s portrayal of the legendary Vijay Dinanath Chouhan, made famous by Amitabh Bachchan while Sanjay Dutt‘s villainous look has stirred up much curiosity. The promos have evoked very good reactions and we are anticipating a very encouraging response to the film.”
Dharma Productions CEO Apoorva Mehta added, “We are delighted that Dharma Productions is collaborating with Eros. We have always been appreciative of Eros‘ endeavour in the world of commercial cinema and we hope this coming together for the first time helps both of us to take a giant leap in the coming years!”
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
