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Eros International shares hit one year low; hires law firm to conduct internal review
MUMBAI: Leading Indian film studio Eros International Media is fighting back to save its image and reputation. The New York and Bombay stock exchange listed company has hired the US law firm Skadden, Arps, Slate, and Meagher & Flom LLP to conduct an independent internal review and also to advise it on related matters to anonymous allegations which led to a steep drop in its share price.
The Eros International share has gone into free fall over the past couple of weeks plummeting around 50 per cent to hit a low of Rs 250.50 in intra-day trading on 2 November.
The downward run in the Eros script gathered momentumon 2 November following the revelation that three investor rights law firms in the US Steinmeyer Law, Rosen Law Firm and Bronstein, Gewirtz and Grossman were investigating whether Eros International Media’s parent Eros International plc and certain of its officers or directors have violated Sections 10(b) and 20(a) of the Securities Exchange Act of 1934.
The Eros stock had anyone been shedding weight ever since reports appeared that it had allegedly resorted to financial misreporting. This was denied by Eros consistently but things got worse after Wells Fargo analysts fingered it about its rising trade receivables from UAE and others. Despite the company’s statement and explanations, the Eros stock had slimmed down to Rs 278 by end of trading on Friday last week as compared to the shares quote of Rs 438 on 23 October.
The Bombay stock exchange had earlier today asked it to clarify to reports about it being investigated by the three law firms. To this, Eros had clarified that it was not being investigated; rather it was its parent Eros International plc.
Late in the evening, the company issued a statement in which it stated that “there has been a vicious campaign to damage the credibility of Eros International by spreading false rumors and misinformation regarding its business with an objective to create panic amongst the investor community. No new facts about the Company have come to light since the filing of the FY2015 financials or its Q1 FY2016 financials at which time the market sentiment was extremely positive.”
It further added: “We are confident in our business fundamentals and we will be announcing our Q2 FY2016 results in the first half of November. Our credibility and reputation are of paramount importance.” Hence, it had hired the law firm to do an internal review.
Further Eros addressed the principal allegations related to Increase in receivables, Amortization of content, Subsidiary financials, Capex increase, free cash flow and increasing debt,Auditors, Related party transactions and compensation packages of family members, The Eros Library, Eros Now.
Said Eros in its response:
— The Company’s fundamentals are strong with successful track record spanning decades. The Company may be two years old on NYSE but its business is not a start-up.
— The Company has a dominant market share of the Indian box office worldwide. 50 per cent of the top 15 grossing films in Bollywod were Eros films.Bajrangi Bhaijaan and Tanu Weds Manu Returns earned $30 million and $65 million respectively and were in the top three grossing list.
–Eros’ unique library of over 3,000 films is a key competitive advantage.
—The Company’s unparalleled global distribution network allows it to distribute its films in over 50 different countries in over 25 different languages.
—Eros’ entertainment platform Eros Now is an attractive consumer proposition with already 30 million registered users worldwide in the backdrop of 860 million plus mobile subscribers and growing 4G and broadband user base in India.
—The Company’s strong under-levered balance sheet ensures that it well capitalized at all times.
Eros’ statement concluded: “We will survive this attack and emerge a winner in the long run for many keys reasons.”
In a music industry that often rewards speed, spectacle, and instant recall, Navjot Ahuja’s journey feels refreshingly different. His story is not built on noise. It is built on patience, discipline, emotional honesty, and a quiet commitment to becoming better with every passing year. After 14 years of struggle, learning, performing, and writing, Navjot stands today as an artist whose success has not changed his centre. If anything, it has only made his purpose clearer.
For Navjot, music has never been about chasing fame alone. It has always been about expression. It is about writing more truthfully, singing more skillfully, understanding himself more deeply, and becoming a kinder human being in the process. That rare clarity is what gives his journey its beauty.
Where It All Began: A Writer Before a Singer
Indian singer and songwriter Navjot Ahuja’s musical journey began in the most familiar of places: school assemblies. But even then, what was growing inside him was not only the desire to sing. It was the need to write.
Long before he saw himself as a performer, he had already discovered the emotional release that writing offered him. For Navjot, words became the first true channel for feeling. Songwriting came before singing because writing was the only way he could let emotions flow through him fully. That inner pull shaped his artistic identity early on.
Like many young musicians, he sharpened his craft by creating renditions of popular songs.
Those experiments became his training ground. But the turning point came in 2012, when he wrote his first original song. That moment did not just mark the beginning of songwriting. It marked the beginning of self-definition.
A Calling He Did Not Chase, But Accepted
What makes the latest Indian singer-songwriter Navjot’s story especially compelling is the way he describes his relationship with music. He does not frame it as a career he aggressively pursued. In his own understanding, music was not something he chose. It was something that chose him.
There was a time when he imagined a very different future for himself. He wanted to become a successful engineer, like many young people shaped by ambition and conventional expectations. But life had a different script waiting for him. During his college years, around 2021, music entered his life professionally and began taking a firmer shape.
That shift was not driven by image-building or industry ambition. It came from acceptance. Navjot embraced the fact that music had claimed him in a way no other path could. That sense of surrender continues to define the artist he is today.
An Artist Guided by Instinct, Not Influence
Unlike many singers who speak openly about idols, icons, and musical role models, Navjot’s creative world is built differently. He does not believe his music comes from imitation or inherited influence. He listens inward.
He has never considered himself shaped by ideals in the traditional sense. In fact, he admits that he does not particularly enjoy listening to songs, especially his own. His decisions as a songwriter and singer come from instinct. He writes what feels right. He trusts what his inner voice tells him. He positions his music according to what he honestly believes in, not what trends demand.
That creative independence gives his work a distinct emotional sincerity. His songs do not feel calculated. They feel alive.
The Long Years of Invisible Struggle
Every artist carries a chapter of struggle, and Navjot’s was long, demanding, and deeply formative. One of the biggest challenges he faced was building continuity as the best new indian singer songwriter in an era where musical collaboration is increasingly fluid.
For emerging singers, especially those trying to build with a band, consistency can be difficult. Instrumentalists today have more opportunities than ever to freelance and perform with multiple artists. While that growth is positive and well deserved, it can make things harder for singers who are still trying to establish a steady team and sound around their work.
For Navjot, one of the most difficult phases came during 2021 and 2022, when he was doing club shows almost every day. It was a period of relentless performance, but not always personal fulfillment. He was largely singing covers because clubs were not open to original songs that audiences did not yet know.
For a new Indian singer and songwriter, that can be a painful compromise. To perform constantly and still not have the freedom to share your own voice requires not just resilience, but restraint.
“Khat” and the Grace of Staying Unchanged
After 14 years of effort, Navjot’s new love song Khat became a defining milestone. Professionally, he acknowledges that the song changed how society viewed him as a musician. It strengthened his place in the public eye and altered his standing in meaningful ways.
Yet personally, he remains unchanged.
That is perhaps the most striking part of his story. Navjot says his routine is still the same. His calm is still the same. His writing process is still the same. He does not want success or failure to interfere with the purity of his art. For him, emotional detachment from public outcomes is essential because the moment an artist becomes too attached to validation, the writing begins to shift.
His joy comes not from numbers, but from the attempt. If he has tried to improve his skill today, if he has written his heart out more honestly than before, then he is at peace.
Growth, Not Glory, Remains the Real Goal
Even now, Navjot is not consumed by labels such as singles artist, performer, or digital success story. His focus remains deeply personal. He wants to sing better. He wants to play instruments better. He wants to understand himself more. And he wants to become a kinder person.
That is what makes Navjot Ahuja’s journey so moving. It is not simply the story of a musician finding recognition. It is the story of an artist who continues to grow inward, even as the world begins to look outward at him. In an age obsessed with applause, Navjot reminds us that the most meaningful success often begins in silence, honesty, and the courage to remain true to oneself.
