Hollywood
Eminent filmmaker Chantal Akerman, who became the voice of the inner woman, is dead
New Delhi, 7 October: Renowned filmmaker Chantal Akerman, who presented her last film No Home Movie on her own mother Natalia at Locarno last month, is dead.
The Belgian-born, Paris-based director Akerman who figured among filmmakers who have delved deeply into the psyche of the woman died on 5 October at the age of sixty-five.
According to Isabelle Regnier of Le Monde, Akerman committed suicide.
Born in 1950, she is also remembered for one of the most original and audacious films in the history of cinema, “Jeanne Dielman, 23 Quai du commerce, 1080 Bruxelles” which premi?red at the Cannes Film Festival in May 1975, the month before her twenty-fifth birthday.
Akerman presented monumentally composed, meticulously observed, raptly protracted images of a woman’s domestic routine; and that the pressures of women’s unquestioned, unchallenged, and unrelieved confinement in the domestic realm and in family roles.
In effect, Akerman transformed the visual styles and narrative forms, the dramatic syntax and artistic codes of the modern cinema, into a woman’s cinema. Her films include “Je, Tu, Il, Elle” (I, You, He, She) made in 1976, “News from Home”, “Toute Une Nuit” (One Whole Night) in 1982
She made one of the great cinematic coming-of-age dramas, “Portrait of a Young Girl at the End of the Nineteen-Sixties in Brussels,” one of the great documentary self-portraits, “L?-Bas,” and, in 2011, an ecstatic, hallucinatory yet trenchantly political adaptation of Joseph Conrad’s novel “Almayer’s Folly.”
Akerman also made a wildly rapturous, sinuously erotic Proust adaptation, “The Captive,” which came out in 2000 and was premi?red at Cannes.
Her last film ‘No Home Moive’ is a video essay about her mother Natalia who was an Auschwitz survivor who died in 2014.
Akerman also served on film festival juries and lectured widely. In 2011, she joined the staff of New York’s City College full time.
Hollywood
Paramount eyes $24bn Gulf support to fund Warner Bros Discovery merger: Reports
Sovereign funds line up funding as media giants chase streaming scale
NEW YORK: Paramount Skydance is in talks to secure nearly $24 billion in equity commitments from Gulf sovereign wealth funds to support its planned takeover of Warner Bros. Discovery, according to a WSJ report.
The funding push comes as Paramount Skydance advances its proposed $110 billion deal for Warner Bros. Discovery, which carries an equity valuation of $81 billion and is expected to close in the third quarter of 2026.
At the heart of the financing plan are three major Gulf investors. Saudi Arabia’s Public Investment Fund is expected to contribute roughly $10 billion, while the Qatar Investment Authority and Abu Dhabi-based L’imad Holding are likely to make up the remainder.
Crucially, the proposed investments are structured as non-voting stakes. This means the Gulf backers would not have direct control in the combined entity, a move designed to ease regulatory concerns in the United States. Paramount executives reportedly do not expect the deal to trigger scrutiny from bodies such as the Committee on Foreign Investment in the United States or the Federal Communications Commission.
If completed, the merger would bring together a formidable portfolio of entertainment and news assets, including CNN and CBS. The combined entity aims to better compete in a fast-evolving media landscape where streaming platforms are steadily pulling audiences away from traditional television.
The deal reflects a broader shift in global media, where scale is increasingly seen as essential to survive the streaming wars. By pooling content libraries, technology and distribution, Paramount Skydance and Warner Bros. Discovery are betting on size and synergy to drive future growth.
The involvement of deep-pocketed Gulf investors also underscores the growing role of sovereign wealth in shaping global media consolidation, particularly at a time when high-value deals demand equally large financial backing.
With shareholder votes and regulatory milestones still ahead, the proposed tie-up remains one of the most closely watched media deals of the year. If it clears the final hurdles, it could redraw the competitive map of the global entertainment industry.
