Hindi
Dull week at the BO
MUMBAI: The week’s major release was Yash Raj’s Kill/ Dil, a very average fare which opened to poor response. Looks like the film may do its best only during the opening weekend with its solo release status being an advantage and not sustain thereafter. The film has managed to collect Rs 20.18 crore for its first three days.
Chaar Sahibzaade (animation) has done very well in Punjab and has collected Rs 3.75 crore in its first week.
Last week’s release, The Shaukeens, has not been able to fare well. A disappointing remake of the 1982 classic by Basu Chatterjee, Shaukeen, and the film falls flat because of poor transcribing and adaption. The film manages about Rs 18.5 crore for its first week.
Rang Rasiya has not been able to sell its erotica and nudity in the name of the life story of Raja Ravi Varma. The film falls flat at the box office and manages to collect just about Rs 3.95 crore for its opening week.
Super Nani is the end of the story by its week two. The film manages to collect Rs 10 lakh in its second week to take its two week total to Rs 2.85 crore.
Happy New Year has added Rs 7.4 crore in its third week to take its three week tally to Rs 169.8 crore.
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
