Hindi
Dull week at the BO
MUMBAI: The week’s major release was Yash Raj’s Kill/ Dil, a very average fare which opened to poor response. Looks like the film may do its best only during the opening weekend with its solo release status being an advantage and not sustain thereafter. The film has managed to collect Rs 20.18 crore for its first three days.
Chaar Sahibzaade (animation) has done very well in Punjab and has collected Rs 3.75 crore in its first week.
Last week’s release, The Shaukeens, has not been able to fare well. A disappointing remake of the 1982 classic by Basu Chatterjee, Shaukeen, and the film falls flat because of poor transcribing and adaption. The film manages about Rs 18.5 crore for its first week.
Rang Rasiya has not been able to sell its erotica and nudity in the name of the life story of Raja Ravi Varma. The film falls flat at the box office and manages to collect just about Rs 3.95 crore for its opening week.
Super Nani is the end of the story by its week two. The film manages to collect Rs 10 lakh in its second week to take its two week total to Rs 2.85 crore.
Happy New Year has added Rs 7.4 crore in its third week to take its three week tally to Rs 169.8 crore.
Hindi
AI directors take the spotlight at India AI Impact Summit
LTM, NFDC and Waves Bazaar curate first AI Cinema Showcase with human-hearted films.
MUMBAI: Lights, camera, algorithm action! India’s film scene is about to get a futuristic twist as artificial intelligence steps into the director’s chair (well, sort of) at the India AI Impact Summit 2026. LTM, in partnership with the National Film Development Corporation (NFDC) and Waves Bazaar, is rolling out the AI Cinema Showcase under the Ministry of Information & Broadcasting’s watchful eye. The event runs from 16 to 20 February 2026 at Bharat Mandapam in New Delhi, pulling in policymakers, tech innovators, global creators and crucially storytellers who’ve already let AI into their edit suites.
This isn’t about robots churning out blockbusters overnight. The showcase spotlights a hand-picked collection of short films made by Indian filmmakers solo creators, collectives, studios and even students who’ve used AI as a genuine creative collaborator rather than a shortcut. Every selected piece has been judged on narrative punch, artistic vision, cinematic polish and, importantly, responsible AI use. The lucky films will screen in the sleek Immersive Room AI Theatre inside the Ministry of Information and Broadcasting pavilion.
The move builds on last year’s momentum, back in November 2025 at the 56th International Film Festival of India (IFFI) in Goa, the same trio Waves Film Bazaar, LTM and NFDC staged India’s debut AI Film Festival and Hackathon. That experiment proved there’s real appetite for exploring where code meets creativity.
By bringing the conversation into the cultural spotlight, the AI Cinema Showcase aims to nudge discussions beyond dry policy papers and tech specs into something far more human, how emerging tools can amplify storytelling without drowning out the soul. It’s part of a bigger push for ethical, human-centred AI that keeps the artist firmly in the driving seat.
So while the rest of the summit debates algorithms and governance, this corner of Bharat Mandapam will be quietly proving that the future of Indian cinema might just feature a very clever co-writer, one that never asks for coffee breaks. Catch the screenings if you’re in Delhi next week; who knows, you might spot the next big twist coming from a prompt rather than a pen.
