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Discovery US, Google Earth in content alliance

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MUMBAI: Discovery US has announced the availability of its video content on Google Earth.

This is a satellite imagery-based mapping product that combines 3D buildings and terrain with mapping capability and Google search.

For the first time, Discovery will provide streaming video on Google Earth for locations around the world including popular destinations, historic sites and natural wonders, among others.

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Discovery will offer video content showcasing 10 of America’s most popular national parks, including Yellowstone, Mount Rushmore and Dinosaur National Park. By clicking on Discovery’s globe icon shown at destination sites at which Discovery video content is available, Google Earth users will launch an interactive broadband player hosted by Discovery that will enable them to select from several two-to four-minute videos from Discovery’s rich archive at each target destination.

Discovery senior executive VP for strategy and development Don Baer says, “By combining Discovery’s wealth of knowledge-based content with Google Earth’s innovative platform and technology, consumers have an unparalleled opportunity to explore our world as never before. With the worldwide appeal and utility of Discovery’s programming, the possibilities for exploration are endless.”

Google Maps/Local/Earth director John Hanke says, “Google Earth users worldwide can now access enriching and educational videos that capture the breadth and detail of popular destinations and national landmarks. Discovery’s video content complements the immersive experience of Google Earth and aligns well with our company mission to deliver the world’s information directly to users.”

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Among Discovery’s core content genres of History, Science, the Natural World, Travel and Adventure and Animals, users will find:

– Video content for 10 destinations available beginning today: Glacier National Park, Yellowstone, The Everglades, Point Reyes National Seashore, Mt. Rushmore, Alaska National Parks, Arches and Canyonlands National Parks, Santa Monica Mountains National Park, Carlsbad Caverns and Dinosaur National Park.

– Ongoing content updates and additions, including videos for nearly 50 new locations spanning the globe in the coming months.

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– Special features on Discovery’s specials such as the upcoming global series Discovery Atlas, an ambitious HD project, offering both video and companion content for 30 countries included in a multi-year programming franchise beginning with China, Brazil, Italy and Australia later this year.

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Sahara One reports financial results, notes director exit and business realignment

Muted revenues, steady expenses and strategic adjustments shape company’s current phase

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MUMBAI: In a tale where the sands seem to be slipping faster than they can be gathered, Sahara One Media and Entertainment Limited has reported another quarter of wafer-thin income and widening losses, even as a boardroom exit adds to the unease.

The company informed the Bombay Stock Exchange that its board, in a meeting held on April 4, approved its unaudited financial results for the quarter ended September 30, 2025. The numbers paint a stark picture. Total income for the quarter stood at just Rs 0.13 lakh, unchanged sequentially and sharply down from Rs 0.26 lakh a year earlier.

Losses, meanwhile, deepened. The company posted a net loss of Rs 24.16 lakh for the quarter, compared to Rs 18.81 lakh in the June quarter and Rs 39.69 lakh in the same period last year. For the six months ended September 2025, the cumulative loss stood at Rs 39.69 lakh, while the full-year loss for FY25 was reported at Rs 60.72 lakh.

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Expenses continued to outweigh income by a wide margin. Total expenses for the quarter came in at Rs 24.30 lakh, led by employee benefit costs of Rs 6.51 lakh and other expenses of Rs 17.78 lakh. Earnings per share remained in the red at Rs (0.11) for the quarter.

The balance sheet reflects a company with significant assets on paper but limited operational momentum. Total assets stood at Rs 23,065.57 lakh as of September 30, 2025, broadly unchanged from March 2025. Equity share capital remained steady at Rs 2,152.50 lakh, while total equity was reported at Rs 18,004.85 lakh.

Cash and cash equivalents saw a modest uptick to Rs 6.75 lakh from Rs 4.68 lakh earlier, supported by a positive operating cash flow of Rs 180.01 lakh for the period.

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Yet, beneath these numbers lies a more complex narrative. The company’s auditors flagged their inability to obtain sufficient evidence to form a conclusion on the financial statements, citing lack of access to records. They also raised concerns over the company’s ability to continue as a going concern, pointing to insufficient funds, delayed recoveries, and stalled content investments.

Adding to the governance overhang, the company disclosed that Rana Zia has resigned as whole-time director, effective October 16, 2025, citing other professional commitments. The resignation, noted and accepted by the board, also brings an end to her role across company committees.

Regulatory pressures continue to loom large. The Securities and Exchange Board of India has already initiated penal actions for non-compliance with listing norms, with trading in the company’s shares remaining suspended. There is also a risk of promoter demat accounts being frozen.

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Legacy legal issues remain unresolved. A substantial deposit of Rs 694,027.88 thousand linked to the long-running OFCD dispute involving Sahara group entities is still under the purview of the Supreme Court of India. Restrictions on asset disposal continue to weigh on the company’s financial flexibility.

Operationally, challenges persist across multiple fronts. Advances worth Rs 1,92,916 thousand given for film content remain stuck, with delays in project completion and uncertain recoverability. The company’s YouTube channel, despite being operational, has generated no revenue for over three years due to compliance lapses. In a further twist, management has indicated that revenues may have been fraudulently diverted through unauthorised changes to its AdSense account, with a police complaint in the works.

There are also missed revenue opportunities. Television content rights continue to be used by a related party despite the expiry of the licence agreement, with fresh negotiations still underway.

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For now, Sahara One Media and Entertainment Limited appears caught between legacy disputes and present-day operational hurdles. As losses linger and governance questions mount, the road to recovery looks less like a sprint and more like a slow trudge through shifting sands.

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