Hindi
Dev Patel to star in film on honour killings in India
MUMBAI: Dev Patel, who came to the limelight with Danny Boyle’s Slumdog Millionaire, has been signed to play the lead role in Bill Bennett directed thriller Defiant, based on the true story of double honour killings in India.
Based on true events and set in India, the film tells the story of two young lovers from different backgrounds on the run from their parents who want to kill them as inter caste and inter-religion marriages are considered taboo in India.
The 22-year-old actor will star opposite Toni Colette in the film in which he will play one of the lovers on the run.
Colette, an Emmy-winning journalist, follows them for a story but ends up risking her life to save the young lovers.
The film is being produced by Bennett and Australia-based Anupam Sharma. The shooting of the film will begin in North India by late October.
The Little Film Company, which is handling the international sales of the movie, will introduce the project to foreign buyers for the first time in Cannes next month.
The film will be Patel‘s third project based on an Indian story after Slumdog Millionaire and The Best Exotic Marigold Hotel.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
