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I&B Ministry

Day 29: One month on, focus stays on smaller cities in FM Phase III bidding

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NEW DELHI: With virtually no bidding on the 29th day in the FM Phase III e-auctions with the cumulative winning price at the end of the 116th round to rising by just Rs 4 lakh from yesterday to Rs 1156.6 crore today, the focus now appears to be shifting to the 31 cities that have so far got bids between Rs 1 – 9 crore.

 

Even this minuscule rise could be attributed to the fact that the number of channels went up by one to 97 channels in 56 cities, though the total bids remained the same as yesterday being above the cumulative reserve price by Rs 696.7 crore or 151.5 per cent against the aggregate reserve price of about Rs 459.8 crore.

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The cumulative provisional winning price has thus risen over the total reserve price of the first batch of 135 FM channels in 69 existing cities – Rs 550.18 crore – by Rs 606.4 crore or 110.2 per cent.  

 

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Cities in the corridors leading to the Rs 10 crore club appear to be Kanpur, Rajkot, Amritsar, Madurai, and Aurangabad, which have all got above Rs 6 crore each. 

 

After almost one month of bidding, thirteen cities still continue to elude bidders. They are: Asansol, Gulbarga, Mangalore, Mysore, Puducherry, Rajahmundry, Siliguri, Tiruchy, Tirunveli, Tirupati, Tuticorin, Vijaywada and Warangal.

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The demand in most cities fell by up to three per cent and by four per cent below the excess demand at the price in the 116th round in Hyderabad.

 

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The Percentage Price Increment applicable for the Next Clock Round rose to five in Bareilly but was one in Jalgaon. There was no change in other cities.

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I&B Ministry

CBFC speeds up film certification; average approval time cut to 22 days

Over 71,900 films cleared in five years as digital system shortens approval timelines

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MUMBAI: The Central Board of Film Certification (CBFC) has significantly reduced the time taken to certify films, with the average approval timeline now down to 22 working days for feature films and just three days for short films.

Operating under the Ministry of Information and Broadcasting, the statutory body certifies films for public exhibition in line with the Cinematograph Act, 1952 and the Cinematograph (Certification) Rules, 2024. The rules prescribe a maximum certification period of 48 working days, though the adoption of the Online Certification System has sharply accelerated the process.

Over the past five years, from 2020-21 to 2024-25, the board certified a total of 71,963 films across formats. Of these, the majority fell under the U category with 41,817 titles, followed by UA with 28,268 films and A with 1,878 films. No films were certified under the S category during the period.

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Film approvals have also steadily risen in recent years. The CBFC cleared 8,299 films in 2020-21, a figure that peaked at 18,070 in 2022-23 before settling at 15,444 films in 2024-25. During the same period, 11,064 films were certified with cuts or modifications.

Despite the high volume of certifications, outright refusals remain rare. Only three films were denied certification over the last five years, with one refusal recorded in 2022-23 and two in 2024-25.

The board may recommend cuts or modifications if a film violates statutory parameters relating to the sovereignty and integrity of India, security of the state, friendly relations with foreign states, public order, decency or morality, defamation, contempt of court or incitement to an offence.

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Filmmakers can challenge CBFC decisions in court. Data shows that such disputes remain limited but have seen some fluctuation. Between 2021 and 2025, a total of 21 certification decisions were challenged before High Courts, with the number rising to 10 cases in 2025.

Responding to a question in the Rajya Sabha, minister of state for information and broadcasting L. Murugan shared the data. The question was raised by Mallikarjun Kharge.

With faster timelines and a largely digital workflow, the certification process appears to be moving at a far brisker pace, signalling a shift towards quicker clearances for India’s growing film output.

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