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Colors lines up new shows; ‘Krishnadasi’ to replace ‘Bigg Boss 9’ on weekdays

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MUMBAI: Colors is all set to ring in the new year with a bunch of new shows in the reality as well as fiction space. And kick-starting the new show launches will be the fiction series Krishnadasi, which will be replacing Bigg Boss 9 on weekdays from 25 January as the popular reality show reaches its finale later this month. 

Krishnadasi will be a one hour show and will  be aired in the 10.30 pm – 11.30 pm time slot. 

Produced by South Indian producer Kutty Padmini and Optimystix Productions, Krishnadasi will revolve around the life of a young girl Aaradhya. Krishnadasi is the tale of unconditional love of a woman for Lord Krishna. Though the concept is not necessarily new to the audience with the tale of Meera that was aired on NDTV Imagine in 2009, it will be interesting to watch how Colors’ offering is different. 

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What’s more, with Arjun Kapoor as the host of the show, Colors will be back with season seven of Khatron Ke Khiladi – Kabhi Peeda, Kabhi Keeda. A source close to the development informed Indiantelevision.com that the show is likely to be aired from 30 January as it will replace Bigg Boss 9 on weekends (Saturday and Sunday) at 9 pm.

The promo of the show is currently on air. As was earlier reported by this website, the 20-episode season of Khatron Ke Khiladi – Kabhi Peeda, Kabhi Keeda, produced by Endemol Shine India has been shot extensively in Argentina.

Another show in the pipeline is the second season of Mission Sapne. To make someone’s dream come true, Bollywood stars will spend one day as a common man. The show is produced by Sobo Films and will be aired at 11 am every Sunday from 17 January.

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In week 51 of Broadcast Audience Research Council (BARC) India ratings, Colors propelled to the number position in the Hindi general entertainment channels’ (GECs) genre thanks to the Bigg Boss 9 power packed weekend episode featuring Shah Rukh Khan along with the show’s host Salman Khan.

It will be interesting to see how the fresh line-up of new shows affects Colors’ ratings in the near future. 

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GECs

Sahara One reports financial results, notes director exit and business realignment

Muted revenues, steady expenses and strategic adjustments shape company’s current phase

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MUMBAI: In a tale where the sands seem to be slipping faster than they can be gathered, Sahara One Media and Entertainment Limited has reported another quarter of wafer-thin income and widening losses, even as a boardroom exit adds to the unease.

The company informed the Bombay Stock Exchange that its board, in a meeting held on April 4, approved its unaudited financial results for the quarter ended September 30, 2025. The numbers paint a stark picture. Total income for the quarter stood at just Rs 0.13 lakh, unchanged sequentially and sharply down from Rs 0.26 lakh a year earlier.

Losses, meanwhile, deepened. The company posted a net loss of Rs 24.16 lakh for the quarter, compared to Rs 18.81 lakh in the June quarter and Rs 39.69 lakh in the same period last year. For the six months ended September 2025, the cumulative loss stood at Rs 39.69 lakh, while the full-year loss for FY25 was reported at Rs 60.72 lakh.

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Expenses continued to outweigh income by a wide margin. Total expenses for the quarter came in at Rs 24.30 lakh, led by employee benefit costs of Rs 6.51 lakh and other expenses of Rs 17.78 lakh. Earnings per share remained in the red at Rs (0.11) for the quarter.

The balance sheet reflects a company with significant assets on paper but limited operational momentum. Total assets stood at Rs 23,065.57 lakh as of September 30, 2025, broadly unchanged from March 2025. Equity share capital remained steady at Rs 2,152.50 lakh, while total equity was reported at Rs 18,004.85 lakh.

Cash and cash equivalents saw a modest uptick to Rs 6.75 lakh from Rs 4.68 lakh earlier, supported by a positive operating cash flow of Rs 180.01 lakh for the period.

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Yet, beneath these numbers lies a more complex narrative. The company’s auditors flagged their inability to obtain sufficient evidence to form a conclusion on the financial statements, citing lack of access to records. They also raised concerns over the company’s ability to continue as a going concern, pointing to insufficient funds, delayed recoveries, and stalled content investments.

Adding to the governance overhang, the company disclosed that Rana Zia has resigned as whole-time director, effective October 16, 2025, citing other professional commitments. The resignation, noted and accepted by the board, also brings an end to her role across company committees.

Regulatory pressures continue to loom large. The Securities and Exchange Board of India has already initiated penal actions for non-compliance with listing norms, with trading in the company’s shares remaining suspended. There is also a risk of promoter demat accounts being frozen.

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Legacy legal issues remain unresolved. A substantial deposit of Rs 694,027.88 thousand linked to the long-running OFCD dispute involving Sahara group entities is still under the purview of the Supreme Court of India. Restrictions on asset disposal continue to weigh on the company’s financial flexibility.

Operationally, challenges persist across multiple fronts. Advances worth Rs 1,92,916 thousand given for film content remain stuck, with delays in project completion and uncertain recoverability. The company’s YouTube channel, despite being operational, has generated no revenue for over three years due to compliance lapses. In a further twist, management has indicated that revenues may have been fraudulently diverted through unauthorised changes to its AdSense account, with a police complaint in the works.

There are also missed revenue opportunities. Television content rights continue to be used by a related party despite the expiry of the licence agreement, with fresh negotiations still underway.

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For now, Sahara One Media and Entertainment Limited appears caught between legacy disputes and present-day operational hurdles. As losses linger and governance questions mount, the road to recovery looks less like a sprint and more like a slow trudge through shifting sands.

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