GECs
COLORS launches the most passionate love story of the year, ‘Chand Jalne Laga’
Mumbai: Known for its diverse content palette, COLORS has always delighted its viewers with a range of engaging shows. After the recent successful premiere of the new season of Bigg Boss and the conclusion of Khatron Ke Khiladi 13, the channel is now gearing up for the launch of an exciting new show. Continuing its tradition of presenting compelling love stories and kindling romance, COLORS is thrilled to introduce the fairytale romance drama, ‘Chand Jalne Laga’. The newest television pair, Vishal Aditya Singh and Kanika Mann as Dev and Tara respectively, whose story outlines the extraordinary journey of two childhood sweethearts, who once were each other’s sanctuary, but the cruel hand of fate pulls them apart. As the age-old wisdom goes, ‘Love is the fire that kindles the heart,’ ‘Chand Jalne Laga’ is that blazing fire, promising to be the most passionate love story of the year. Produced by Siddharth Kumar Tewary’s Swastik Productions, ‘Chand Jalne Laga’ premieres on the 23 of October and airs every Monday to Friday at 9:30 pm only on COLORS.
In the backdrop of a scenic vineyard, the love story begins with Dev and Tara, who are inseparable as kids. Dev has the unique gift of understanding horses and works as a stable boy for a wealthy zamindar family, and Tara is its caged princess, who fears nearly everything. Both find solace in each other’s presence. As grown-ups, their paths cross after being separated by a huge misunderstanding, both having undergone a massive transformation. Dev, who was once optimistic and sensitive, makes a fortune and turns into a man with angst and a steely resolve. On the other hand, the fearful and dependent Tara becomes a confident and fearless lady after her family loses its riches. With the passage of time, a lot has changed in their lives except for a few things. Will those be enough to rekindle the passionate love they once shared?
Producer Siddharth Kumar Tewary said, “Swastik Productions takes pride in crafting impactful and heartfelt stories that have reigned over television. We are excited to present Chand Jalne Laga, the most passionate love story of the year. It traces the fairytale romance of Dev and Tara, who were once in love but came to be torn apart by unforeseeable circumstances. Shedding light on what it means to be in love, this show explores the inner world of two individuals, who levelled up against the challenges of life but lost the solace they sought in each other. It is incredible to be collaborating with COLORS, and we aspire to offer the audience a show canvassed with stunning visuals, soulful music, and elegant storytelling.”
Sharing her thoughts on essaying the role of Tara, Kanika Mann said, “In a world where love often takes a backseat to chaos and ambition, ‘Chand Jalne Laga’ is a beautiful reminder that true love can weather any storm. It’s a story that has an old-world charm, and the potential to rekindle our faith in love. I’m thrilled to join hands with COLORS and Swastik Productions, the creative forces that have entertained viewers with diverse shows. Portraying Tara in this romantic tale has been an amazing experience because I strongly feel that she has a striking resemblance to my real personality. All I can say is, gear up for a love story that is as unpredictable as life itself, and get ready to rediscover the magic of pure, unbridled passion!”
Set to be seen embodying the role of Dev, Vishal Aditya Singh said, “I’ve had the privilege of working with COLORS and Swastik Productions earlier, and I’m excited to be working with them once again for Chand Jalne Laga. After Bigg Boss 13, I was waiting to spearhead a love story. I think the patience paid off and I’m grateful for it. The viewers have showered an immense amount of love on all the characters I’ve essayed so far. I’m sure that they will appreciate Dev and relate to the kind of love, pain and separation captured in this show.”
Sparking excitement among viewers, COLORS recently launched the romantic music video of ‘Chand Jalne Laga,’ which garnered a thunderous response across social media platforms. It amassed 31.3 million in reach and 4 million views within the first four days. The show wrote itself into the history of television as the first one to have a digital-first release of a love anthem.
Will Dev and Tara be able to rekindle their lost love as fate brings them together once again? Find out as ‘Chand Jalne Laga’ premieres on the 23 of October, airing every Monday to Friday at 9:30 pm only on COLORS.
GECs
Sahara One reports financial results, notes director exit and business realignment
Muted revenues, steady expenses and strategic adjustments shape company’s current phase
MUMBAI: In a tale where the sands seem to be slipping faster than they can be gathered, Sahara One Media and Entertainment Limited has reported another quarter of wafer-thin income and widening losses, even as a boardroom exit adds to the unease.
The company informed the Bombay Stock Exchange that its board, in a meeting held on April 4, approved its unaudited financial results for the quarter ended September 30, 2025. The numbers paint a stark picture. Total income for the quarter stood at just Rs 0.13 lakh, unchanged sequentially and sharply down from Rs 0.26 lakh a year earlier.
Losses, meanwhile, deepened. The company posted a net loss of Rs 24.16 lakh for the quarter, compared to Rs 18.81 lakh in the June quarter and Rs 39.69 lakh in the same period last year. For the six months ended September 2025, the cumulative loss stood at Rs 39.69 lakh, while the full-year loss for FY25 was reported at Rs 60.72 lakh.
Expenses continued to outweigh income by a wide margin. Total expenses for the quarter came in at Rs 24.30 lakh, led by employee benefit costs of Rs 6.51 lakh and other expenses of Rs 17.78 lakh. Earnings per share remained in the red at Rs (0.11) for the quarter.
The balance sheet reflects a company with significant assets on paper but limited operational momentum. Total assets stood at Rs 23,065.57 lakh as of September 30, 2025, broadly unchanged from March 2025. Equity share capital remained steady at Rs 2,152.50 lakh, while total equity was reported at Rs 18,004.85 lakh.
Cash and cash equivalents saw a modest uptick to Rs 6.75 lakh from Rs 4.68 lakh earlier, supported by a positive operating cash flow of Rs 180.01 lakh for the period.
Yet, beneath these numbers lies a more complex narrative. The company’s auditors flagged their inability to obtain sufficient evidence to form a conclusion on the financial statements, citing lack of access to records. They also raised concerns over the company’s ability to continue as a going concern, pointing to insufficient funds, delayed recoveries, and stalled content investments.
Adding to the governance overhang, the company disclosed that Rana Zia has resigned as whole-time director, effective October 16, 2025, citing other professional commitments. The resignation, noted and accepted by the board, also brings an end to her role across company committees.
Regulatory pressures continue to loom large. The Securities and Exchange Board of India has already initiated penal actions for non-compliance with listing norms, with trading in the company’s shares remaining suspended. There is also a risk of promoter demat accounts being frozen.
Legacy legal issues remain unresolved. A substantial deposit of Rs 694,027.88 thousand linked to the long-running OFCD dispute involving Sahara group entities is still under the purview of the Supreme Court of India. Restrictions on asset disposal continue to weigh on the company’s financial flexibility.
Operationally, challenges persist across multiple fronts. Advances worth Rs 1,92,916 thousand given for film content remain stuck, with delays in project completion and uncertain recoverability. The company’s YouTube channel, despite being operational, has generated no revenue for over three years due to compliance lapses. In a further twist, management has indicated that revenues may have been fraudulently diverted through unauthorised changes to its AdSense account, with a police complaint in the works.
There are also missed revenue opportunities. Television content rights continue to be used by a related party despite the expiry of the licence agreement, with fresh negotiations still underway.
For now, Sahara One Media and Entertainment Limited appears caught between legacy disputes and present-day operational hurdles. As losses linger and governance questions mount, the road to recovery looks less like a sprint and more like a slow trudge through shifting sands.
