GECs
Colors launches new social drama, ‘Molkki’
MUMBAI: All she ever wanted was her freedom: to learn, to dream, to study and to empower others, and to truly love someone. But all her dreams and aspirations shattered when she was tagged as a ‘sold bride’- a molkki. Colors presents yet another hard-hitting concept, a family drama, Molkki, that outlines how the skewed sex ratio led to the bride buying custom which is still prevalent in Haryana. It’s the story of 19-year-old Purvi, who is a mol ki dulhan, which means a bride bought in exchange for money. The show follows the relationship of Purvi and Virender Pratap Singh who are bound by this custom and find themselves in a transactional relationship. From the house of Balaji Telefilms, Molkki will premiere on 16 November and air Monday to Friday at 10 pm only on Colors.
Viacom18 Hindi mass entertainment and kids TV network head Nina Elavia Jaipuria said, “At Colors, we have always believed in the power of storytelling and the impact that it can create. Over the years, through powerful stories like Balika Vadhu, Udaan, Shakti, Barrister Bahu, we have highlighted pertinent social issues. Taking forth this tradition, we bring to you a family drama series set against the lesser-known custom of bride buying. Molkki will chronicle the journey of Purvi, who falls prey to this custom, is married to a widower twice her age but fights it all in her stride.”
The story of Molkki revolves around Purvi (played by Priyal Mahajan), an upright girl with a strong moral compass, who is unknowingly sold as a bride to a sarpanch, a man twice her age, Virender Pratap Singh (played by Amar Upadhyay). Purvi is a self-sufficient, headstrong girl who has always made sure she paved her way in life. She paid for her education by tutoring kids and never footed for any privileges. On the other hand, Virender Pratap Singh is still overcoming his first wife's death and is soaked in the guilt of not being a part of his kids’ life while in their growing up years. But now that he has married for a second time to a bought bride, he does not view it as a real relationship. Transporting viewers to Haryana, Molkki reflects on how Purvi finds her space in society, wins the respect of the people around her, and manages to establish a relationship based on trust and mutual respect with her much-older husband. But will she be a wife, a mother or will she forever be just a bought bride? Will a relationship born out of a money deal, blossom into love?
Viacom18 hindi mass entertainment CCO Manisha Sharma said, “With this show, the aim is to continue giving our viewers variety of entertainment with path breaking concepts and engaging story plots.”
Balaji Telefilms producer Ekta Kapoor said, “At Balaji Telefilms, we have always worked on presenting stories that are realistic, relatable and have a high entertainment quotient. Molkki is one such show that puts the spotlight on the custom of buying brides that is prevalent in India even today. We are happy to be partnering with Colors who are known to present such hard-hitting and socially relevant topics, and I am sure that the viewers will admire this unique story.”
MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.
The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.
While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.
Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.
The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.
As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.
