iWorld
Citadel Indian & Italian spinoffs axed as Amazon rewrites its spy game
MUMBAI: Amazon has pulled the plug on Citadel: Honey Bunny and Citadel: Diana, the much-hyped Indian and Italian offshoots of its globe-trotting spy saga. Instead, those “successful and widely enjoyed international chapters” will be stitched into season two of the main series, Citadel, which is now set to drop globally in Q2 of 2026.
That’s the word from Amazon MGM Studios television head Vernon Sanders, who promised an “exhilarating” return. “With high-stakes storytelling, new additions to our amazing cast and bold, cinematic ambition,” he said, “season two will deepen the emotional journeys of Nadia, Mason and Orlick against the relentless force that is Manticore.”
Translation? The spinoffs are toast, and Amazon’s once-grand plan to build a Bond-style franchise without Bond is looking like an expensive misfire.
The cancellation comes on the heels of Jennifer Salke’s exit from the studio. Salke, who first pitched the sprawling espionage epic to Joe and Anthony Russo, dreamt up Citadel as a prestige powerhouse for Prime Video—an interconnected universe with local-language series spanning continents. What she got instead: ballooning budgets, reshoots galore and a reported $300m price tag for season one.
Still, Citadel got renewed before its April 2023 premiere. But season two was quietly delayed after Amazon brass were said to be “unhappy” with early footage. Now, storylines from Honey Bunny and Diana—which, despite being ratings hits in India and Italy, respectively—will be merged into the mothership’s narrative.
The new season picks up a month after the first ended: the spies are underground, hunted by Manticore, and pulled back into action to stop Brazilian billionaire Paulo Braga from unleashing a world-ending device, courtesy of Citadel’s own Bernard Orlick.
So yes, the spies are still in the game. But Amazon’s dream of a global franchise? That’s very much under review.
iWorld
Netflix cuts jobs in product division amid restructuring
Layoffs hit creative studio unit as leadership and strategy shifts unfold.
MUMBAI: The streaming wars may be fought on screen, but the latest plot twist is unfolding behind the scenes. Netflix has reportedly begun laying off several dozen employees from its product division as part of an internal reorganisation, according to a report by Variety. The cuts are believed to have primarily affected the company’s creative studio unit, which works on marketing assets such as in app trailers, promotional visuals and live experience content for the streaming platform.
The company has not disclosed the exact number of employees impacted.
According to the report, the layoffs were not tied to employee performance. Instead, the restructuring eliminated certain roles while other employees were reassigned to different teams within the organisation.
The roles affected are understood to include designers, producers and creative specialists responsible for marketing and brand experience initiatives.
The job cuts come as Netflix adjusts its leadership structure and reshapes its product and creative teams. Last month, Elizabeth Stone was promoted from chief technology officer to chief product and technology officer, giving her oversight of product, engineering and data operations across the company.
Earlier, in December 2025, Netflix also appointed Martin Rose as head of creative for global brand and partnerships, a move seen as part of a broader restructuring of the company’s brand and product functions.
Despite the layoffs, Netflix remains one of the largest employers in the streaming sector. The company is estimated to employ around 16,000 people globally, with roughly 70 percent of its workforce based in the United States and Canada. In 2023, the company reported approximately 13,000 employees, indicating that its headcount had grown significantly before the latest restructuring.
The workforce changes arrive at a time when Netflix is navigating a shifting financial and strategic landscape in the global entertainment industry.
The streaming giant recently secured $2.8 billion in additional cash after receiving a breakup fee from Paramount Skydance following its withdrawal from a deal involving Warner Bros. Discovery.
Speaking to Bloomberg, Netflix co chief executive Ted Sarandos explained that the company had evaluated multiple scenarios during the negotiations but chose not to match the competing offer once it learned that a higher bid had been submitted.
Netflix had capped its offer at $27.75 per share and ultimately stepped back rather than pursue Paramount’s $111 billion acquisition deal, which included a personal guarantee.
Sarandos also cautioned that the financing structure behind the Paramount Skydance transaction could have ripple effects across the entertainment industry.
According to him, the debt heavy deal could trigger significant cost cutting, with David Ellison, chief executive of Paramount Skydance, expected to eliminate about $16 billion in costs and potentially cut thousands of jobs as part of the integration process.
For Netflix, the current restructuring appears to be part of a broader attempt to streamline operations while continuing to invest in product, technology and global content even as the streaming industry enters a new phase of consolidation and financial discipline.
