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Cinépolis eyes expansion in India

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NEW DELHI: Cinépolis, which is said to be in talks for acquiring Cinemax, has served six million patrons in India within less than three years of operations.

The world‘s fourth largest cinema chain and India‘s first international exhibitor is driven by progressive international technology such as 3D screens with Real-D technology, Dolby 7.1 surround sound and 100 per cent digital 2k screens across its outlets in India.

Cinépolis India MD and country head Milan Saini said, “Our phenomenal growth has inspired us to bring further entertainment options to the country like launching India‘s first Cinépolis VIP, our pioneering luxury cinema brand at Ludhiana. This underscores the acceptance and appreciation of International cinema experience and Cinépolis as a brand.”

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Cinépolis has over one million member strong loyalty programme called ‘Club Cinépolis‘.

Cinépolis India exhibition head Ashish Shukla said, “Our constant endeavour is to reach the next level and offer our cinegoers the best end to end cinema experience. We have connected with our patrons through their preferred communications channel, facebook even before we launch in the city and include their feedback and expectations in our plan. This has worked magnificently for our cinemas.”

At present, Cinépolis operates in eight Indian cities namely Amritsar, Patna, Thane, Ahmedabad, Surat, Bhopal, Ludhiana and Bangalore. The company plans to open 500 screens in the country by 2016.

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Kridhan Infra enters film production with AI-led feature film

Infra firm debuts AI-powered film marking RSS centenary

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MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.

With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.

The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.

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For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.

The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.

India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.

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“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”

From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.

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