Hindi
Cinema halls to be back in business from 15 October
KOLKATA: After coping with the initial shock of Covid2019, the economy has started reviving slowly. With the new guidelines issued by the ministry of home affairs, the revival will speed up, especially in the cinema exhibition sector. The ministry has finally allowed the opening up of cinemas, theatres, multiplexes from 15 October onwards as part of its Unlock 5.0 plan.
According to the guidelines released today, theatres can open with upto 50 per cent of their seating capacity being thrown to movie goers outside containment zones. Standard operating procedures (SOPs) are to be released a little later by the ministry of information and broadcasting (MIB) which is the regualtor for the exhibition sector.
Along with that, exhibition halls, and entertainment parks have also been given the go-ahead to welcome customers. States and union territories have been given the flexibility to to permit gatherings of more than 100 people outside containment zones after 15 October and under social distancing rules. This probably means B2B exhibitions, cultural, religious, political functions and other gatherings will be allowed from mid-October. The department of commerce will issue SOPs for these.
Earlier this week, west Bengal chief minister Mamata Banerjee had announced that cinema halls can start screening films for the public come 1 October. It was the first state government to give the green signal to the beleaguered cinema exhibition sector.
Since late March 2020, cinema halls have been shuttered leading to huge losses for cinema owners. Film producers and distirbutors , as an alternative, opted for OTT platforms to release their movies. As the move comes just before the festival season, it could be a breather for the industry which has been bleeding for the past six months.
The experential and events sector is also heaving a sigh of releif with exhibitions, cultural gatherings being permitted. Estimates are that the industry has lost close to Rs 10,000 crore ever since the lockdown was announced late March 2020. And hundreds of thousands of event executives and managers have lost their jobs. With the lockdown measures being pried open, the hope is that many of them will get back their jobs, with companies working to kick start consumption, and in the process the economy even more.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
