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Box Office: ‘Shaandaar’ collects Rs 30.8 crore in opening weekend

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MUMBAI: The Shahid Kapoor and Alia Bhatt starrer Shaandaar fails to find the approval of moviegoers. The film, an attempt to blend comic book approach with a fairytale setting, seems to take the audience and its intelligence for granted and meets with ready rejection.

 

Opening on Thursday to cash in on the major National holiday of Dussehra and enjoying the solo release status, its opening day collections of around Rs 11 crore leave much to be desired. The first day audience’s disappointment reflected at the box office on Friday as the collections dropped by over 30 per cent showing further decline on Saturday and Sunday to end its four day opening weekend with figures of Rs 30.8 crore.  

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Pyaar Ka Punchnama 2 was lapped up by the youth it being a romantic comedy catering to the young lot. That the film enjoyed certain brand equity because of earlier film, Pyaar Ka Punchnama, which was a reasonable success, also helped the sequel. Despite the film following a similar theme and gags as the previous version, the film did not fail to entertain. After a strong opening weekend of Rs 20.8 crore, the film held steady through the week to end its first week with figures of Rs 37.8 crore. 

 

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The film will enjoy a lucrative second week as it enjoys a favourable word of mouth while also benefiting from poor opposition from the new release of the week, Shaandaar.

 

Wedding Pullav faces total rejection. The film manages to collect a poor Rs 50 lakh for its first week.

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Other minor films, released without any promotion, go unnoticed. The films are: Chinar Daastaan-E-IshqBumper DrawHogaya Dimaagh Ka DahiPrivate Teacher and Jaatiwad.

 

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Jazbaa drops to about 10 per cent of its first week figures, which in itself was poor. The film adds Rs 3.1 crore in its second week to take its two week total to Rs 23.7 crore.

 

Singh Is Bliing collects Rs 1.3 crore in its third week taking its three week total to Rs 73.95 crore.

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Talvar remains strong despite new releases. It braves all oppositions. On a strong public appreciation, the film returns impressive figures in its third week. It adds Rs 3.55 crore to take its three week tally to Rs 29.55 crore.

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Kridhan Infra enters film production with AI-led feature film

Infra firm debuts AI-powered film marking RSS centenary

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MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.

With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.

The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.

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For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.

The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.

India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.

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“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”

From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.

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