News Broadcasting
BBC gets into festive mood with ‘Shrek The Halls’
MUMBAI: The loveable green ogre, and star of one of the most successful film franchises of all time, Shrek now comes to the TV screen in his first Christmas special for UK pubcaster The BBC’s channel BBC One.
BBC One will air Shrek The Halls on Christmas Eve. Just when Shrek thought he could finally sit back, relax and enjoy with his new family, the most joyous of all holidays arrives.
It’s Christmas Eve, and everyone is filled with holiday cheer, except for Shrek. He isn’t exactly the picture of yuletide joy, but for the sake of Fiona and the kids; he tries to get into the spirit of things as only an ogre can.
Unfortunately, everyone seems to have their own ideas about what Christmas is all about, so when Donkey, Puss In Boots, the Gingerbread Man and the whole gang try to join in on the fun, Shrek’s plans for a cosy family celebration end up spiralling into one truly unforgettable Christmas.
Directed by Gary Trousdale, Shrek The Halls stars the voice talents of Mike Myers, Eddie Murphy, Cameron Diaz and Antonio Banderas, all returning to the characters they created and continue to bring to life in the trilogy of Shrek films.
With a screenplay by Gary Trousdale, Sean Bishop, Theresa Cullen and Bill Riling, Shrek The Halls is produced by Gina Shay and Teresa Cheng, with Aron Warner executive producing.
For director Gary Trousdale, it was an honour to be entrusted with “the crown jewels of the company. When people find out you’re at DreamWorks, that’s the first thing they ask you – ‘So, did you do Shrek?’ And now, to have the opportunity to add to the Shrek legacy … that’s really quite a thrill. It’s something else.”
Shrek’s evolution from motion picture to television screen is natural and seamless, according to producers Gina Shay and Teresa Cheng. Cheng, a longtime ‘DreamWorker’ said, “With Shrek The Halls, we approached it as a 22-minute film. All of the artistic quality that has made the three Shrek films so popular is present in this holiday special.”
Shay, a veteran of traditional and digital animation, with years of experience producing for Nickelodeon Movies and Paramount says, “The only difference, for us, is the size of the frame. We have a lot of the same animators and artists who worked on the three films working on this … and how could you even think about doing a continuing chapter in the story of Shrek without Mike, Eddie, Cameron and Antonio?
“All of the hallmarks of the feature films – the irreverent humour, signature characters, strong story, heart, great animation and production value – are all here. We wanted to create a story that goes beyond the expected Christmas situations and themes. Our hope is that it speaks to anyone who has ever held or witnessed a crazy family gathering.”
Much like the films, the centre of the story is a traditional one … only Shrek-ed up. Trousdale remembers, “When we were developing the story, we were sitting around trying to figure out what would make this holiday special … special. And the suggestion came up for us to tell Twas The Night Before Christmas – only in an ogre way. That was the kernel of our idea, which eventually grew.
“It’s about Shrek trying to have his own, special family Christmas, and because ogres aren’t usually big on celebrating, he tries to copy it from a textbook. Then, along the way, Donkey, Puss In Boots and the Gingerbread Man each tell their own versions of the story. They butt their way in, sort of saying, ‘no, no, no, you’re doing it all wrong – this is how you do Christmas’. Of course, each family does it differently, and each way is just as valid.”
Within Shrek The Halls, the man behind the ogre, Mike Myers, also found the themes of family particularly resonant: “The special is really about family, on many levels. I mean, I love my own family, and I love the values and the relationships present in the Shrek films. It’s ultimately about love: loving yourself, loving your family. It may sound a little trite, but families come in all shapes and sizes – sometimes your friends are your family, and your family are your friends.”
Eddie Murphy brings his trademark sparkle and sass to Donkey, who serves as both Shrek’s friend and advisor and sometimes biggest detractor. “Their friendship isn’t always smooth sailing,” notes Murphy. “But it isn’t ever really intentional. Donkey only wants to help. He’s an enthusiastic, eager guy, and he loves Christmas – for him, it’s the best thing ever.
“And that means it’s gotta be big, maybe even overdone. He wants Shrek to groove on Christmas just like he does, and he wants him to get it right … all for Shrek’s sake, of course. He’s gonna save the day and make it a holiday to remember for his best friend and his new family. Course, he comes on a little strong, like a freight train, and ends up running straight through the holiday. But it’s a train powered by love, you know?”
For Cameron Diaz, remembering the Christmas specials she grew up loving added to her joy in working on Shrek The Halls. She says, “I remember watching A Charlie Brown Christmas and Rudolph The Red-Nosed Reindeer every year when they came on. They were characters that you really loved … just like Shrek has become. I’m not sure if kids in countries outside of the US loved Charlie Brown or Rudolph like we did, but Shrek is known and loved around the world.
“And I think it’s wonderful to take that character and Princess Fiona and Donkey and Puss In Boots and everybody and put them in a holiday story. I think there are a lot of people who find themselves in the families we create as adults, who now have to forge their own traditions, and that’s what Shrek is doing. He has to accept who he is and be accepted for who he is – and a Christmas special is a perfect way to tell that story.”
In Shrek’s panic to come up with the perfect family celebration for him, Fiona and the babies, he is lucky enough to purchase the last available copy of Christmas For Village Idiots In Duloc.
When Donkey sees the swamp house decked out in garlands of swampland creatures and other “individual” touches, his somewhat commercialised sensibilities are shocked, and in his (and his friends’) efforts to “help” Shrek, they end up sabotaging all of the first-time father’s efforts.
“It literally becomes a madhouse Christmas … and it’s about Shrek learning that however disastrous anything turns out to be, it’s really about just being together – the good, the bad and the ugly – and him coming to terms with that,” concludes Trousdale.
News Broadcasting
News TV viewership jumps 33 per cent as West Asia war draws audiences
BARC Week 8 data shows news share rising to 8 per cent despite T20 World Cup
NEW DELHI:Â Even as individual television news channel ratings remain under a temporary pause, the genre itself is seeing a clear surge in audience attention.
According to the latest data from Broadcast Audience Research Council India, television news recorded a 33 per cent jump in genre share in Week 8 of 2026, covering February 28 to March 6.
The news genre accounted for 8 per cent of total television viewership during the week, up from 6 per cent the previous week. The spike in attention coincided with escalating geopolitical tensions involving the United States, Israel and Iran, which have kept global headlines firmly fixed on West Asia.
The rise is notable because it came at a time when cricket was dominating television screens. The high-stakes stages of the ICC Men’s T20 World Cup, including the Super 8 fixtures and semi-finals, were being broadcast during the same period.
Despite the cricket frenzy, viewers appeared to be toggling between sport and global affairs, boosting the overall share of news programming.
The surge in genre share comes even as the government has enforced a one-month pause on publishing ratings for individual news channels. The move followed regulatory scrutiny of the television ratings ecosystem.
While channel-level rankings remain temporarily out of sight, the genre-level data suggests that when global tensions escalate, audiences continue to turn to television news for real-time updates.
