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BBC current affairs veteran Robinson to call it a day

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MUMBAI: UK pubcaster BBC’s current afairs veteran Mike Robinson has decided to step down as editor of the Panorama block. He is retiring from the BBC after spending 25 years with the organisation. He has been the editor of the BBC’s flagship current affairs strand for more than five years.

He and his team have produced many shows including the story of the row between the government and BBC which culminated in the death of David Kelly, which won the RTS Home Current Affairs journalism award and was the first of a number of Panoramas examining the government’s case for war.

Other programmes include John Simpson and Tom Giles’s tale of death by friendly fire in the Iraq war, which won the RTS International programme award; and the trilogy of investigations into the anti-depressant Seroxat, which had a significant impact on both the programme’s audiences and the field of drug policy and regulation.

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Panorama’s RTS award winning investigation into corruption in horse racing also had significant impact, forcing the Jockey Club to hold an internal enquiry and strengthen its security measures. Before joining Panorama, Robinson had worked in a variety of roles including Editor of the One O’Clock News and News Editor across BBC TV News as a whole.

After joining Panorama as a film-maker in 1992, he produced a number of documentaries, including The Story of Child B; Valentina’s Story and When Good Men do Nothing on the genocide in Rwanda, and the famous Martin Bashir interview with Princess Diana. The latter recorded one of the largest TV audiences in BBC history and picked up a Bafta, one of two which he won.

BBC News director Helen Boaden said, “Mike’s passion for Panorama and his commitment to serious current affairs have made him an outstanding Editor of the series over many years. He’s never been afraid of tackling vested interests, current orthodoxies and unfashionable issues and subjecting them to rigorous, scrutiny and appraisal. We shall miss his vision and his tenacity very much and wish him good fortune in the coming years.”

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Robinson said, “I am delighted to have been worked for so many years with a talented Panorama team still committed to producing ambitious and significant television journalism across a broad agenda. With its public funding, the BBC still occupies a privileged position within British society and I greatly appreciate the backing I’ve enjoyed for the difficult and challenging journalism for which I have had responsibility. After 25 years with one broadcaster, I relish the challenges and opportunities that the future holds.”

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News Broadcasting

News TV viewership jumps 33 per cent as West Asia war draws audiences

BARC Week 8 data shows news share rising to 8 per cent despite T20 World Cup

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NEW DELHI: Even as individual television news channel ratings remain under a temporary pause, the genre itself is seeing a clear surge in audience attention.

According to the latest data from Broadcast Audience Research Council India, television news recorded a 33 per cent jump in genre share in Week 8 of 2026, covering February 28 to March 6.

The news genre accounted for 8 per cent of total television viewership during the week, up from 6 per cent the previous week. The spike in attention coincided with escalating geopolitical tensions involving the United States, Israel and Iran, which have kept global headlines firmly fixed on West Asia.

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The rise is notable because it came at a time when cricket was dominating television screens. The high-stakes stages of the ICC Men’s T20 World Cup, including the Super 8 fixtures and semi-finals, were being broadcast during the same period.

Despite the cricket frenzy, viewers appeared to be toggling between sport and global affairs, boosting the overall share of news programming.

The surge in genre share comes even as the government has enforced a one-month pause on publishing ratings for individual news channels. The move followed regulatory scrutiny of the television ratings ecosystem.

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While channel-level rankings remain temporarily out of sight, the genre-level data suggests that when global tensions escalate, audiences continue to turn to television news for real-time updates.

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