Hindi
‘Bang Bang’ continues to thrill the BO
MUMBAI: The week saw four small-time films release in Spark, EkkeesTopon KI Salaami, Jigariya and Tamanchey. None had the face value, or could draw crowd. Also, each film catered a regional subject with scant identification for universal audience.
Of the lot, EkkeesTopon KI Salaami had the best prospects and was a sincere attempt; however, it lost out balancing itself between a satire and a melodrama.
Bang Bang opened to good houses as expected. However, the reports about its mediocre content caught up with it and the collections started dropping in a free fall. The fall which started a day after release got more pronounced as the new week began. The film, which had collected Rs 80 crore for its first five days (having opened on Thursday) managed to end its eight day week with Rs 115.3 crore.
Haider has met with an indifferent response with only a few caring to talk about it. A pretentious film with a script penned on whim and fancy, it fails to identify with any sort of audience. It is as unreal as a cinema can get. The film continued to collect on the lower side of average throughout the week despite holidays to end its eight day week with Rs 35.15 crore.
Daawat-e-Ishq has added just Rs 10 lakh in its third week taking its three week total to Rs 25.66 crore.
Khoobsurat has added Rs 70 lakh in its third week to take its three week total to Rs 24.65 crore.
Hindi
Dhurandhar the revenge storms past Rs 1,000 crore in a week, rewrites box office records
Aditya Dhar’s spy thriller sets fastest run to Rs 1,000 crore with record-breaking weekday hold
MUMBAI: The box office has a new juggernaut—and it is moving at breakneck speed. Dhurandhar the revenge has smashed past the Rs 1,000 crore mark worldwide in just a week, clocking a staggering Rs 1,088 crore and resetting the rules of the blockbuster game.
Backed by Jio Studios and B62 Studios, and directed by Aditya Dhar, the spy action sequel opened to the biggest weekend ever for an Indian film globally—and then refused to slow down. Unlike typical tentpole releases that taper off after Sunday, this one powered through the weekdays with rare muscle, posting Rs 64 crore on Monday, Rs 58 crore on Tuesday, Rs 49 crore on Wednesday and Rs 53 crore on Thursday.
The numbers stack up to a formidable first-week haul. India collections stand at Rs 690 crore nett and Rs 814 crore gross, while overseas markets have chipped in Rs 274 crore, taking the worldwide total to Rs 1,088 crore in just eight days.
The film’s opening weekend alone delivered Rs 466 crore, laying the foundation for what is now being billed as the fastest climb to the Rs 1,000 crore club in Indian cinema. Every single day of its first week has set fresh benchmarks, from the highest opening weekend to the strongest weekday hold—metrics that typically separate hits from phenomena.
A sequel to the earlier hit Dhurandhar, the film has not just built on its predecessor’s momentum but obliterated previous records, emerging as the biggest global blockbuster run by an Indian film to date.
At this pace, the film is not merely riding a wave—it is creating one.
