Hindi
Balaji Motion Pictures signs Bhushan Patel to helm Ragini MMS 2
MUMBAI: Bhushan Patel, who recently stirred 1920 – Evil Returns has been selected to direct Ragini MMS 2, the sequel of Ekta Kapoor‘s Ragini MMS that released in 2011.
Confirming the same, Balaji Motion Pictures CEO Tanuj Garg says, “What started off as a humble experimental film has turned into a huge franchise. We took a leap of faith in signing Bhushan even before his first release. Given the film‘s impressive film‘s box office performance, it was the right decision in hindsight.”
Patel said, “To add to the excitement of delivering a hit, is the opportunity of directing another hit franchise for the Balaji banner. I am looking forward to Ragini MMS-2.”
Balaji Motion Pictures head of acquisition and distribution Girish Johar said, “We have signed Bhushan Patel to direct our Ragini MMS 2 with Sunny Leone. We loved the promos of 1920- Evil Returns. For a debut director, Bhushan has done a great job in the film. We are confident that he will do justice to Ragini MMS 2.”
Ragini MMS 2 is expected to be a supernatural and horror film too.
The original movie, directed by Pawan Kripalani, featured Kainaz Motivala and Raj Kumar Yadav. In the sequel, Indo-Canadian porn star Sunny Leone will add spice.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
