Hindi
Bal Thackeray‘s death hit BO collections
MUMBAI: Jab Tak Hai Jaan, Yash Chopra‘s last directorial romantic story, was awaited with much expectation which was not met by this three hour saga, looking at the public response. The film was released in direct opposition of a mass entertainer, Son Of Sardar, after much controversy on sharing screen space with Yash Raj Film having cornered a chunk of better single screens using their Salman Khan starrer Ek Tha Tiger as leverage thus leaving little for Son Of Sardar.
This offered the audience an option and it showed on the collections as Jab Tak Hai Jaan could manage only Rs 152.3 million on Tuesday (13 November), the Diwali day, then peaking on the next, the New Year day with Rs 195.4 million and then finding its level on Thursday with Rs 144.5 million.
The collection figures tapered thereafter; Sunday which collected Rs 99.6 million could have been better by at least Rs 20 million as the film‘s collections suffered due to closure of cinemas in Maharashtra for most part of the weekend due to the demise of Balasaheb Thackeray.
According to Girish Wankhede of Cinemax chain, all the 66 group screens in Maharashtra had to cancel three shows each on Saturday and all five shows each on Sunday, these shows being the cream of the week. Same was the case with other multiplex screens. The collections also suffered to an extent in the North due to closure of Wave group multiplexes from Saturday afternoon and whole of Sunday following a tragedy in the owners‘ family. Jab Tak Hai Jaan ended its six-day festive weekend with Rs 807.3 million.
Son Of Sardar had to fight for screens till the end and distributors could not advertise in time (where all the movie was going to be screen). However, the film did hit the screens as scheduled with less number of screens than they would have liked to open. An old fashioned action comedy about two warring families, the film met with mixed response. However, its cluttered cast and their antics earned it the label of ‘entertainer‘. The film opened with a moderate Rs 100.72 million on Tuesday, the Diwali day, as expected it peaked the next day being the New Year day with Rs 162.1 million before settling down to average levels. The film suffered on Saturday and Sunday for the same reasons as Jab Tak Hai Jaan and went on to end its six day festival season with Rs 660.2 million.
1920 – Evil Returns could enjoy a limited run despite holding steady in the second week since the film had to be discontinued from most screens to make way for new releases, Jab Tak Hai Jaan and Son Of Sardar, on Tuesday. The film still managed to collect a decent Rs 47 million taking its tally to Rs 233 million.
Luv Shuv Tey Chicken Khurana collected Rs 13.5 million in its second week taking its total to Rs 78.5 million.
Student Of The Year mopped up approx Rs 10 million in its fourth week. It has netted Rs 608 million so far.
English Vinglish collected Rs five million taking its tally at the end of the sixth week to Rs 373.5 million.
OMG Oh My God! has collected Rs 3.8 million in its seventh week. The movie‘s box office score after seven weeks is Rs 769.3 million.
In a music industry that often rewards speed, spectacle, and instant recall, Navjot Ahuja’s journey feels refreshingly different. His story is not built on noise. It is built on patience, discipline, emotional honesty, and a quiet commitment to becoming better with every passing year. After 14 years of struggle, learning, performing, and writing, Navjot stands today as an artist whose success has not changed his centre. If anything, it has only made his purpose clearer.
For Navjot, music has never been about chasing fame alone. It has always been about expression. It is about writing more truthfully, singing more skillfully, understanding himself more deeply, and becoming a kinder human being in the process. That rare clarity is what gives his journey its beauty.
Where It All Began: A Writer Before a Singer
Indian singer and songwriter Navjot Ahuja’s musical journey began in the most familiar of places: school assemblies. But even then, what was growing inside him was not only the desire to sing. It was the need to write.
Long before he saw himself as a performer, he had already discovered the emotional release that writing offered him. For Navjot, words became the first true channel for feeling. Songwriting came before singing because writing was the only way he could let emotions flow through him fully. That inner pull shaped his artistic identity early on.
Like many young musicians, he sharpened his craft by creating renditions of popular songs.
Those experiments became his training ground. But the turning point came in 2012, when he wrote his first original song. That moment did not just mark the beginning of songwriting. It marked the beginning of self-definition.
A Calling He Did Not Chase, But Accepted
What makes the latest Indian singer-songwriter Navjot’s story especially compelling is the way he describes his relationship with music. He does not frame it as a career he aggressively pursued. In his own understanding, music was not something he chose. It was something that chose him.
There was a time when he imagined a very different future for himself. He wanted to become a successful engineer, like many young people shaped by ambition and conventional expectations. But life had a different script waiting for him. During his college years, around 2021, music entered his life professionally and began taking a firmer shape.
That shift was not driven by image-building or industry ambition. It came from acceptance. Navjot embraced the fact that music had claimed him in a way no other path could. That sense of surrender continues to define the artist he is today.
An Artist Guided by Instinct, Not Influence
Unlike many singers who speak openly about idols, icons, and musical role models, Navjot’s creative world is built differently. He does not believe his music comes from imitation or inherited influence. He listens inward.
He has never considered himself shaped by ideals in the traditional sense. In fact, he admits that he does not particularly enjoy listening to songs, especially his own. His decisions as a songwriter and singer come from instinct. He writes what feels right. He trusts what his inner voice tells him. He positions his music according to what he honestly believes in, not what trends demand.
That creative independence gives his work a distinct emotional sincerity. His songs do not feel calculated. They feel alive.
The Long Years of Invisible Struggle
Every artist carries a chapter of struggle, and Navjot’s was long, demanding, and deeply formative. One of the biggest challenges he faced was building continuity as the best new indian singer songwriter in an era where musical collaboration is increasingly fluid.
For emerging singers, especially those trying to build with a band, consistency can be difficult. Instrumentalists today have more opportunities than ever to freelance and perform with multiple artists. While that growth is positive and well deserved, it can make things harder for singers who are still trying to establish a steady team and sound around their work.
For Navjot, one of the most difficult phases came during 2021 and 2022, when he was doing club shows almost every day. It was a period of relentless performance, but not always personal fulfillment. He was largely singing covers because clubs were not open to original songs that audiences did not yet know.
For a new Indian singer and songwriter, that can be a painful compromise. To perform constantly and still not have the freedom to share your own voice requires not just resilience, but restraint.
“Khat” and the Grace of Staying Unchanged
After 14 years of effort, Navjot’s new love song Khat became a defining milestone. Professionally, he acknowledges that the song changed how society viewed him as a musician. It strengthened his place in the public eye and altered his standing in meaningful ways.
Yet personally, he remains unchanged.
That is perhaps the most striking part of his story. Navjot says his routine is still the same. His calm is still the same. His writing process is still the same. He does not want success or failure to interfere with the purity of his art. For him, emotional detachment from public outcomes is essential because the moment an artist becomes too attached to validation, the writing begins to shift.
His joy comes not from numbers, but from the attempt. If he has tried to improve his skill today, if he has written his heart out more honestly than before, then he is at peace.
Growth, Not Glory, Remains the Real Goal
Even now, Navjot is not consumed by labels such as singles artist, performer, or digital success story. His focus remains deeply personal. He wants to sing better. He wants to play instruments better. He wants to understand himself more. And he wants to become a kinder person.
That is what makes Navjot Ahuja’s journey so moving. It is not simply the story of a musician finding recognition. It is the story of an artist who continues to grow inward, even as the world begins to look outward at him. In an age obsessed with applause, Navjot reminds us that the most meaningful success often begins in silence, honesty, and the courage to remain true to oneself.
