Hollywood
Angie-ficent!
MUMBAI: “Let us tell an old story anew,” Janet McTeer’s voice echoes as a revision to the old fable opens. Given the rather stodgy characters in the 1959 Walt Disney classic Sleeping Beauty, the character of Maleficent is by far, the most interesting; which makes her perfect fodder for a revisit.
The concept of retelling the classic Sleeping Beauty from the antagonist’s point of view is intriguing but the film itself is a visual feast.
All’s well for the young and beautiful fairy Maleficent till a boy Stefan stumbles into the forest where she lives and wins her heart. However, ambition takes its toll and Stefan leaves Maleficent only to return for worse – cutting off her wings. Having lost her wings and her faith in love, a shattered Maleficent resolves to seek revenge at any cost and destroy Stefan and his newly minted empire.
Comparisons with Disney’s 1959 film are inevitable, especially in the first half which includes scenes reminiscent of the old film, making the storyline and development of Maleficent’s character rather anomalous. However, as malevolence tries to redeem itself through maternity, right from the expose of Aurora to the curiosity of first love to Maleficent exposing her most vulnerable side in the final climactic event, Linda Woolverton’s screenplay shines through in the second half.
Academy Award winner Angelina Jolie (Girl, Interrupted) is mesmerising as Maleficent; malevolent but motherly when required. Elle Fanning brings her own vivacity to Aurora while Sharlto Copley as Stefan makes the Queen of Evil look sunnier in comparison. After reprising a Dolores Umbridge whom fans love to hate in the Harry Potter franchise, Imelda Stanton’s turn as pixie is the surprise package.
After winning many a golden statuette for production design, Academy Award winner Robert Stromberg makes a stellar directorial debut with Maleficent, coupled with a gripping score by Emmy Award winner James Newton Howard.
It’s possible you’ll continue to hum Lana Del Rey’s rendition of Once upon a Dream long after leaving the movie theatre!
Hollywood
David Zaslav could net up to $887m as Warner Bros Discovery sells up
Media mogul strikes gold as Paramount Skydance deal triggers massive windfall
NEW YORK: While the average office worker might hope for a nice clock and a round of applause upon leaving, David Zaslav is looking at a slightly more substantial parting gift. The chief executive officer of Warner Bros Discovery is positioned to receive a windfall of up to $887 million following the company’s blockbuster $110 billion sale to Paramount Skydance.
In a twist of corporate fate that feels scripted for the big screen, the deal marks the finale of a high-stakes bidding war. It comes after Netflix, once the frontrunner, decided to exit stage left and abandon its pursuit of the HBO Max parent company.
While most people receive a standard final paycheck, the filing released on Monday suggests Zaslav’s exit package is built a little differently. If the deal closes as expected in the third quarter of 2026, the numbers break down like this:
The cash out: A severance package of $34.2 million, covering his salary and bonuses.
The equity: $115.8 million in vested shares he already owns.
The future fortune: A massive $517.2 million in unvested share awards, essentially “future stock” that turns into real money the moment the ink dries on the merger.
Perhaps the most eye-catching figure is the $335 million earmarked for tax reimbursements. However, this particular pot of gold has an expiration date.
The company noted that these reimbursements are tied to specific tax-code rules that significantly decline as time passes. If the deal hits a snag and drags into 2027, that tax payout drops to zero. With hundreds of millions on the line, the chief executive officer likely has every incentive to ensure the closing process moves at double-speed.
