GECs
Airtel Digital TV services Q1-2014 losses halve as compared to Q1-2013
BENGALURU: Airtel’s Digital TV services business contributed Rs 490 crore or just 2.4 per cent to Bharati Airtel’s (Airtel) Q1-2014 total net revenues of Rs 20,2263 crore, but its loss for the quarter at Rs115.6 crore eroded the communications services major’s PAT of Rs1837.7 crore by 6.3 per cent.
The loss for Q1-2014 of Rs115.6 crore by the Digital TV services business, was however almost half (51 per cent) of the loss of Rs 226.5 crore for Q1-2013 and about 65 per cent of the Rs 178.4 crore loss reported for Q4-2013. During FY-2013, Airtel’s Digital TV services business’s reported loss was Rs 810.5 crore.
Consequently, its capital employed (segment’s assets minus segment’s losses) has eroded 34.5 per cent to Rs (-2.946.8) crore in Q1-2014 from Rs (-2,190.4) crore in Q1-2013 and by 4.7 per cent from Rs (-2,813.8) crore for Q4-2103.
Revenues from Airtel’s Digital TV services business for Q1-2014 grew 34 per cent from Rs 365.8 crore in Q1-2013 to Rs 490 crore mentioned above and by 10.9 per cent as compared to Rs 441.9 crore reported for Q4-2013. During FY-2013, Airtel’s Digital TV services business had revenues of Rs1,629.5 crore.
Airtel has reported a 14.2 per cent growth in its customer base for its Digital TV services from 7.4 million in Q1-2013 to 8.452 million in Q1-2014 and a 4.35 per cent growth from the 8.1 million reported for Q4-2013.
MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.
The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.
While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.
Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.
The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.
As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.
