GECs
Adding an Islamic shade to the Colors’ canvas
MUMBAI: It was in the early nineties that a show like Gul Gulshan Gulfaam on Doordarshan captured the life of the Muslim community. It was probably for the first time in India that a show gave the masses at large an opportunity to take a sneak peek in to the life of the Islamic households in the country. Set in Kashmir, it was about the tribulations of the Kashmiris surviving on the business of houseboats in the Dal Lake.
Much later, at the end of the same decade, Heena and Shaheen, both of which aired on Sony Entertainment Television, captured the life Muslim women, their struggles and a lot more, giving the audience another chance to look at the life of a Muslim household closely. Around the same time, came Tanha – a show with the collaboration between India and Pakistan. It was not just set in a Muslim milieu but also became popular for its insightful portrayal of the community and the characters, not just in India and Pakistan but also in the entire subcontinent. Zaaraaired on Sahara One in 2006 was another show capturing the essence of the culture.
More recently, a serial on Star Plus – Sajda Tere Pyaar Mein that ran for few months in 2012 featured the life of a Muslim woman whose patriotic credentials were questioned; and Qubool Hai on Zee TV captures the contemporary Muslim household with the unfolding of an interesting love story. Interestingly, Qubool Hai has become one of the most popular shows in the Hindi GEC space. Its ratings are almost close to 5862TVTs (as per Tam ratings for week 49).
And when a concept has become so popular, it isn’t a surprise to see something very similar (as far as the set up is concerned) inspiring others. Close on the heels of Zee TV, now, Colors is set to air its new show Beintehaa – a first for the channel focusing on the pan-Muslim milieu with a story of two similar and headstrong individuals Aaliya and Zain, who are tied in a volatile relationship.
The show would be aired at the prime-time slot – 9 pm every Monday to Friday from 30 December. A replacement for Bigg Boss, the show is being promoted heavily across platforms as the channel is keeping its hopes high on this one. Colors weekday fiction head Prashant Bhatt says that the narrative style of the show and its backdrop is going to be its USP, which would not just pull the regular TV viewers but will also draw the younger audience from the age group of 14 above.
“The story telling has a simple, yet intriguing style with a contemporary set up and that’s going to be the pull,” says Bhatt.
If we look at all the shows made with a Muslim backdrop in the past, we would realise that each of them have been really popular during the time they were aired. Yet, unlike other Indian cultures, from Punjabi and Gujarati to Bihari, Harayanvi, Rajasthani and Marathi, on which many shows have been made till date, there have been very few with a Muslim milieu. An avid TV viewer can easily summon up the number of TV serials based in an Islamic household.During the launch of Beintehaa in Mumbai recently, when asked what has kept TV away from exploring this community, Bhatt revealed that Colors has been looking for such a concept since almost two years now. “We have been waiting for almost two years to get this colour onto the Colors canvas,” he remarks and adds, “We were not getting a story suitable enough to do justice to the culture. Finally the story that Farhan Salaruddin (the producer and writer of the show) brought to us felt as if it was tailormade to display the Muslim culture,” he says.
And the channel didn’t wait for so long because the competitor channel came up with Qubool Hai, neither was it ever in a hurry to start with something similar. “We were not in a race. We wanted to come up with something that does complete justice as well as is developed well,” he says.
And if we go by the expert views the idea of featuring this Islamic culture is on its way to becoming a trend. Veteran TV writer Gajra Kottary credited for pathbreaking shows like Balika Vadhu says that many people haven’t tried their hand at capturing this backdrop because of the stigma associated with it. “Another thing that may have kept many away is the fear of not pulling the masses. But it may become a trend as it would give the makers as well as viewers an opportunity to explore something really new,” she says.
Even Salaruddin, who has earlier co-produced the show Bind Banunga Ghodi Chadunga thinks the same. According to him, since his show is very contemporary and resonates with the present day’s lifestyle of youngsters it is going to be liked by masses across religion. “It isn’t isolated to showing the Islamic culture. It explores the overall life of two Muslim youngsters, from their difficulties to their dilemmas,” he says and adds that the show will work for its content.
Media veteran Divya Radhakrishnan reflects the same views. “The Muslim backdrop is just a creative setting. It will give the creatives a chance to explore new avenues. But any show doesn’t work because of the backdrop, rather it works because of the content,” she says.
Salaruddin is also happy to get the primetime slot which will give his story more visibility. The presence of other strong shows doesn’t bother him much. “The other shows were new at one point of time too. With time, we will make our place,” he says.
While the entire Colors team is betting big on the content, we also hope that like earlier TV shows in the same backdrop, this one will work well too.
GECs
Sebi sends show-cause notice to Zee over fund diversion, company responds
Regulator questions 2018 letter of comfort and governance lapses; company vows robust legal response
MUMBAI: India’s markets watchdog has reignited its long-running scrutiny of Zee Entertainment Enterprises, issuing a sweeping show-cause notice that drags the broadcaster and 84 others into a widening governance storm.
The notice, dated February 12, has been served by the Securities and Exchange Board of India to Zee, chairman emeritus Subhash Chandra and managing director and chief executive Punit Goenka, among others. At its heart: allegations that company funds were indirectly routed to settle liabilities of entities linked to the Essel Group.
The regulator’s probe traces its roots to November 2019, when two independent directors resigned from Zee’s board, flagging concerns over the alleged appropriation of fixed deposits by Yes Bank. The deposits were reportedly adjusted against loans extended to Essel Group entities, triggering questions about related-party dealings and board oversight.
A key flashpoint is a letter of comfort dated September 4, 2018, issued by Subhash Chandra in his dual capacity as chairman of Zee and the Essel Group. The document, linked to credit facilities availed by certain group companies from Yes Bank, was allegedly known only to select members of management and not disclosed to the full board—an omission SEBI believes raises red flags over transparency and governance controls.
Zee has pushed back hard. In a statement, the company said it “strongly refutes” the allegations against it and its board members and will file a detailed response. It expressed confidence that SEBI would conduct a fair review and signalled readiness to pursue all legal remedies to protect shareholder interests.
The notice marks the latest twist in a saga that has shadowed the broadcaster since 2019. What began as boardroom unease has morphed into a full-blown regulatory confrontation. The final reckoning now rests with SEBI—but the reputational stakes for Zee, and the message for India Inc on governance discipline, could scarcely be higher.
