Hindi
3 films from Reliance DreamWorks nominated for Oscars
MUMBAI: Three films namely War Horse, The Help and Real Steel from Reliance DreamWorks have garnered eleven Oscar Nominations.
Earlier, Adaminte Makan Abu, India’s official entry at this year’s Oscars, had failed to make it to the top nine shortlisted films for the Best Foreign Film for 2011.
Sohan Roy‘s DAM 999, the country‘s only hope at the Oscars this year, had been eliminated from the Oscar race. The filmmakers were expecting nominations in the best picture, best original song and best original score categories. Though the film was not India’s official entry, it was individually sponsored by the makers.
Despite Indian cinema being recognised globally for its technological advancements, variety, visual splendour, skilled technicians and also for its reach and returns, our films have not been able to break into the coveted Oscar circle for a long time.
Commenting on why we don’t make films worth an Oscar award, producer Mukesh Bhatt said, “ This is because we make films for millions of our Indian audience. That in itself is a herculean task. Though as a rule we send one film as an official entry to the Oscars, we have never grudged about our films being eliminated from the Oscars.”
Among the 30 films that were the country’s official entry at the Oscars, only three films namely Mother India in 1957, Salaam Bombay in 1988 and Lagaan in 2001 got Oscar nominations, while those that failed include Sahib Biwi Ghulam, Reshma aur Shera, Garam Hawa, Manthan, Shatranj Ke Khiladi, Saagar, Rudaali, Bandit Queen, Devdas, Shwas,Rang De Basanti,Tare Zameen Par and Adaminte Makan Abu among others.
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
