Hindi
26 features and 15 non-features make it to Indian Panorama 2014 for IFFI
NEW DELHI: A total of 26 features and 15 non-features have been selected for the Indian Panorama section of the 45th International Film Festival of India (IFFI) to be held in Goa next month.
The jury for feature films headed by renowned cinematographer-turned-filmmaker AK Bir selected the features out of a total of 181 eligible entries while the non-feature jury was headed by emnent filmmaker Mike Pandey.
Two features out of the chosen ones will be selected for the competition section of the Festival while one will be placed in a special section of SAARC films.
The feature Elizabeth Ekadashi (Director: Paresh Mokashi) and the non-feature The Last Adieu (Director: Shabnam Sukhdev) have been chosen as the opening film by the feature film jury of Indian Panorama 2014.
The feature section has seven films each in Malayalam and Marathi, five films in Bengali, two in Hindi, and one film each in Assamese, Kannada, Khasi, Odiya and Tamil.
The complete list of the films is:
FEATURE FILMS
NON-FEATURES:
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
