Hindi
Vaishali Dalmiya turns producer with Bhorer Alo
MUMBAI: Vaishali, daughter of well-known Indian cricket administrator Jagmohan Dalmiya, has turned producer with her debut Bengali film Bhorer Alo that tells the tale of three generations of Bengalis.
For the project, Dalmiya has signed Prabhat Roy to direct the venture. “I am fortunate to have a gifted director like Prabhat Roy whose script on three generations of Bengalis got me hooked the moment I heard the script. But this can only be the beginning, I am open to any good scripts,” she said.
According to the producer, Bhorer Alo will have all the elements of a clean family entertainer with dollops of romance, morality, suspense and mystery. Thr film revolves around two sisters and the twist lies in both the sisters falling in love with the same man, not knowing that he is wooing one of them.
The film stars Priyanshu Chaterjee, Ritiparna Sengupta, Rohit Roy and Anusmriti Sarkar among others.
Hindi
Rashmika Mandanna, Shanaya Kapoor and Naila Grrewal climb IMDb’s Indian celebrity rankings
Upcoming films and returning shows are driving fan interest across Bollywood and streaming
MUMBAI: Bollywood’s popularity contest has a new weekly scorecard, and the numbers are telling. IMDb’s Popular Indian Celebrities list for this week places Shanaya Kapoor at number six, buoyed by buzz around her film Tu Yaa Main. Naila Grrewal slots in at seven on the back of the returning comedy series Maamla Legal Hai, while Rashmika Mandanna climbs to eighth, riding mounting anticipation for Cocktail 2.
The list, available exclusively on the IMDb app for Android and iOS, tracks trending Indian entertainers and filmmakers each week, drawing on data from more than 200m monthly visits to the platform worldwide.
Further down the rankings, Raaka is keeping two of its biggest names in the spotlight. Deepika Padukone holds 11th position, with Allu Arjun close behind at 13th, as the film continues to find traction with audiences.
The list offers fans a weekly pulse on who is breaking through, who is holding steady, and who is fading. It is a barometer as unsparing as the box office itself.
