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UTV wins case against MP govt

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MUMBAI: UTV Motion Pictures has finally emerged victorious in the case against Madhya Pradesh government‘s ban on Jodhaa Akbar.


“The Madhya Pradesh High Court has ruled in favour of UTV and we are commencing the screening of Jodhaa Akbar immediately across the state. This is a huge boost to all advocates of creative freedom in our country, and we are very grateful to the court for recognising the validity of our stand and allowing Jodhaa Akbar to resume screenings,” said UTV Motion Pictures director Siddharth Roy Kapur.


Within a span of two weeks, since the date of its release, UTV‘s Jodhaa Akbar had fallen prey to a huge web of communal controversies. Apart from being banned in Rajasthan, Ambala and parts of Gujrat and Bihar, the film also faced temporary suspension in MP following demonstrations against it by the Rajput community at cinema theatres. This made UTV move the MP High Court to get the order revoked leading to their final win.

So far, the Hrithik Roshan-Aishwarya Rai Bachchan-starrer period love story has succeeded in collecting a gross amount of Rs 527 million in India. In the US, it has raised around Rs 100 million while in the UK it has earned around Rs 56 million.


MP follows Rajasthan, bans UTV‘s Jodhaa-Akbar

UTV moves Madhya Pradesh High Court against ban order

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Kridhan Infra enters film production with AI-led feature film

Infra firm debuts AI-powered film marking RSS centenary

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MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.

With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.

The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.

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For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.

The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.

India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.

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“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”

From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.

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