Hindi
Thomson, CinemaNow to offer optimised digital movie solution
MUMBAI: Technicolour, the services division of Thomson, has partnered with CinemaNow, which works in digital entertainment technology, to offer online retailers a better way to deliver the digital content that consumers are demanding.
Under the new partnership, Technicolor and CinemaNow plan to provide a seamless, fully-integrated platform for the electronic delivery of movies, TV shows, music and software to consumers via a broadband Internet connection.
This platform will include content encoding and encryption, digital rights management (DRM), hosting and storage, promotions and ad management, streaming or download delivery, order fulfillment, reporting and forensics.
The end-to-end delivery channel will utilise Technicolor’s infrastructure and CinemaNow’s storefront and media manager application to facilitate new developments in electronic content distribution.
Emerging digital delivery services such as e-copy and second session, which are supplementary digital versions of physical DVDs purchased at retail stores, and online downloads will work across CinemaNow’s entire ecosystem of compatible consumer electronic devices including PCs, portable media players (PMP), digital television sets (DTV), set top boxes (STB), and network attached storage (NAS) devices from manufacturers such as Archos, Dish Network, HP, and Samsung.
Thomson stated, “this is the next stage in the evolution of the broadband digital supply chain. As the distribution of content transitions from physical to digital, a new streamlined infrastructure is required. The partnership between CinemaNow and Technicolor brings together and unifies two major pieces of a traditionally fragmented solution.”
Under the terms of the partnership, CinemaNow and Technicolor will also collaborate on special projects including adding HD movies to CinemaNow’s library of more than 10,000 titles available via embedded stores and consumer electronic devices.
The partnership will also enable CinemaNow to expand internationally, leveraging Technicolor’s digital supply chain services including preparing and hosting movies with subtitles and foreign language audio tracks.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
