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Stars rally to promote Mickey Virus

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An established television anchor and actor Manish Paul’s debut film – Mickey Virus is ready to grab a larger eyeball before its release. Manish Paul and director Saurabh Varma have launched a unique kind of celebrity promo of the movie which has never been seen in Bollywood.

 

In the promo, many Bollywood celebrities who are friends of Manish Paul like Salman Khan, Ranbir Kapoor, Anil Kapoor, Karan Johar, Farah Khan, Remo D’souza, Kapil Sharma were seen talking about Mickey Virus film.

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Dabangg Salman Khan was seen asking ‘Who is Mickey Virus…?’, and gave his advice to people to be aware of this virus. Ranbir Kapoor also shares his views on Mickey Ideas. Bollywood’s Lakhan, Anil Kapoor also featuring in the promo, was seen telling Mickey Vela Kahi Ka Dekhte hai..? Choreographer Farah Khan was seen shouting Mickey and said, “Mickey Arora internet par koi Qutub Minar bejata hai?”

 

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Bollywood diva Madhuri Dixit blushed and said whatever he is but he is the cutest guy I have seen. Bollywood director Karan Johar praises Mickey for his ideas. Kapil Sharma describes the names and said, “Naam hota hai Chaddha, Khurana, Sharma ye koi Naam hai Mickey Virus”. Choreographer Remo can’t stop explaining Mickey’s nature, he said, “Din me aate Bejata hai aur raat me logo ko aate me leta hai”.

 

Mickey Virus is set against the backdrop of hacking where Manish Paul is playing a character of Mickey Arora. He is a smart guy who runs a grocery store in the day time and creates viruses for antivirus companies in the night. Mickey Virus also marks the debut of Elli Avram, now a contestant in Bigg Boss 7 house, who is half Greek and half Swedish.Mickey Virus is all set to hack people’s brain and will soon enter in everyone’s heart. The movie is stated to release on 25 October.

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Hindi

Remembering Gyan Sahay, the lens behind film, television and advertising

From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.

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MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.

A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.

For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.

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His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.

On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.

In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.

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Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.

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