Hindi
Sholay being remade with dwarfs in cast
MUMBAI: Fans of the film Sholay have all reasons to rejoice. The movie is being remade as Aakhri Gabbar with dwarfs between three-to-four feet playing important roles.
This means that people will again see Gabbar Singh, his sidekicks Kaalia and Sambha battle Jay and Veeru in the new film touted to be a comedy thriller. But this time around, all the characters concerned would ride donkeys instead of horses.
Even Dhanno, the beloved immortal mare owned by Basanti, will be a short, female donkey which runs only after firecrackers are lit behind her. And Basanti’s Mausi stands tall at just 3.2 feet.
Says producer and co-director Riyaz Shaikh, a marquee decorator based in Navi Mumbai, “Undoubtedly, Sholay rules the Indian cinema audiences‘ psyche even 35 years of its release. There have been several attempts to remake it in different forms but none could really capture the charm and essence of the original. I hope my venture will break the jinx.”‘
The idea of making a film hit the 5.5 feet tall Shaikh quite accidentally. A couple of years ago, he ran into an old classmate of his, a dwarf.
“He lamented how they were short-changed in Bollywood, both in terms of roles and money and that his career was not really going places. He asked me to help out. It got me thinking and with the help of Pyarelal (of the famous music-director duo, Laxmikant-Pyarelal), I started working on the project,” Shaikh averred.
He said that the new Sholay would be drastically different. “I started by changing the complete image of the entire star cast – instead of tall, hefty persons of the original, I decided to use only dwarfs for all the characters. Since Sholay had a pan-India appeal, I wanted to make Aakhri Gabbar with talented, but virtually unknown artists drawn from all over the country. I hope the people appreciate my experiment,” believes Shaikh.
The principal roles in Aakhri Gabbar will be played by Zaheer Shaikh of Akola, Maharashtra (Gabbar Singh), Ajay Navik of Gujarat (paying Jay), Irfan Sheikh of Uttar Pradesh (playing Veeru), Salim Shaikh of Bangalore (playing Thakur) and sidekicks Shivaji Ingle of Thane (Kaalia) and Khalil Sheikh of Mumbai (Sambha).
While Sandhya Gaekwad of Ratnagiri will play the character that was played by Jaya Bhaduri, Basanti‘s character will be essayed by Aashiya Rangrez from Mumbai.
In a music industry that often rewards speed, spectacle, and instant recall, Navjot Ahuja’s journey feels refreshingly different. His story is not built on noise. It is built on patience, discipline, emotional honesty, and a quiet commitment to becoming better with every passing year. After 14 years of struggle, learning, performing, and writing, Navjot stands today as an artist whose success has not changed his centre. If anything, it has only made his purpose clearer.
For Navjot, music has never been about chasing fame alone. It has always been about expression. It is about writing more truthfully, singing more skillfully, understanding himself more deeply, and becoming a kinder human being in the process. That rare clarity is what gives his journey its beauty.
Where It All Began: A Writer Before a Singer
Indian singer and songwriter Navjot Ahuja’s musical journey began in the most familiar of places: school assemblies. But even then, what was growing inside him was not only the desire to sing. It was the need to write.
Long before he saw himself as a performer, he had already discovered the emotional release that writing offered him. For Navjot, words became the first true channel for feeling. Songwriting came before singing because writing was the only way he could let emotions flow through him fully. That inner pull shaped his artistic identity early on.
Like many young musicians, he sharpened his craft by creating renditions of popular songs.
Those experiments became his training ground. But the turning point came in 2012, when he wrote his first original song. That moment did not just mark the beginning of songwriting. It marked the beginning of self-definition.
A Calling He Did Not Chase, But Accepted
What makes the latest Indian singer-songwriter Navjot’s story especially compelling is the way he describes his relationship with music. He does not frame it as a career he aggressively pursued. In his own understanding, music was not something he chose. It was something that chose him.
There was a time when he imagined a very different future for himself. He wanted to become a successful engineer, like many young people shaped by ambition and conventional expectations. But life had a different script waiting for him. During his college years, around 2021, music entered his life professionally and began taking a firmer shape.
That shift was not driven by image-building or industry ambition. It came from acceptance. Navjot embraced the fact that music had claimed him in a way no other path could. That sense of surrender continues to define the artist he is today.
An Artist Guided by Instinct, Not Influence
Unlike many singers who speak openly about idols, icons, and musical role models, Navjot’s creative world is built differently. He does not believe his music comes from imitation or inherited influence. He listens inward.
He has never considered himself shaped by ideals in the traditional sense. In fact, he admits that he does not particularly enjoy listening to songs, especially his own. His decisions as a songwriter and singer come from instinct. He writes what feels right. He trusts what his inner voice tells him. He positions his music according to what he honestly believes in, not what trends demand.
That creative independence gives his work a distinct emotional sincerity. His songs do not feel calculated. They feel alive.
The Long Years of Invisible Struggle
Every artist carries a chapter of struggle, and Navjot’s was long, demanding, and deeply formative. One of the biggest challenges he faced was building continuity as the best new indian singer songwriter in an era where musical collaboration is increasingly fluid.
For emerging singers, especially those trying to build with a band, consistency can be difficult. Instrumentalists today have more opportunities than ever to freelance and perform with multiple artists. While that growth is positive and well deserved, it can make things harder for singers who are still trying to establish a steady team and sound around their work.
For Navjot, one of the most difficult phases came during 2021 and 2022, when he was doing club shows almost every day. It was a period of relentless performance, but not always personal fulfillment. He was largely singing covers because clubs were not open to original songs that audiences did not yet know.
For a new Indian singer and songwriter, that can be a painful compromise. To perform constantly and still not have the freedom to share your own voice requires not just resilience, but restraint.
“Khat” and the Grace of Staying Unchanged
After 14 years of effort, Navjot’s new love song Khat became a defining milestone. Professionally, he acknowledges that the song changed how society viewed him as a musician. It strengthened his place in the public eye and altered his standing in meaningful ways.
Yet personally, he remains unchanged.
That is perhaps the most striking part of his story. Navjot says his routine is still the same. His calm is still the same. His writing process is still the same. He does not want success or failure to interfere with the purity of his art. For him, emotional detachment from public outcomes is essential because the moment an artist becomes too attached to validation, the writing begins to shift.
His joy comes not from numbers, but from the attempt. If he has tried to improve his skill today, if he has written his heart out more honestly than before, then he is at peace.
Growth, Not Glory, Remains the Real Goal
Even now, Navjot is not consumed by labels such as singles artist, performer, or digital success story. His focus remains deeply personal. He wants to sing better. He wants to play instruments better. He wants to understand himself more. And he wants to become a kinder person.
That is what makes Navjot Ahuja’s journey so moving. It is not simply the story of a musician finding recognition. It is the story of an artist who continues to grow inward, even as the world begins to look outward at him. In an age obsessed with applause, Navjot reminds us that the most meaningful success often begins in silence, honesty, and the courage to remain true to oneself.
